Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
Talking of travel, we have been having a correspondence in _The Times_
on the lavatories and the closed windows on the P.L.M. I am not using
that railway myself just now, and I confess I like to see that here again
the French remain obstinately French. France is endeared to us, like
any other friend, by its weaknesses as well as its virtues; it would,
for many of us, not be the old friend that we know and love without its
occasional stuffiness and its occasional smells. Louis Veuillot once
wrote a book called “Les Odeurs de Paris.” We have all smelt them, and
should hardly recognize our Paris without them—though they must have
had more pungency, a more racy, romantic flavour in Balzac’s Paris, the
Paris of our dreams. Nowadays for the rich Balzacian smells you will
have to visit some of the provincial towns of his novels, and so your
pilgrimage will combine a literary with all factory interest. I know
of one old Burgundian town—I will not name it, for obvious reasons—not
mentioned, I fancy, by Balzac, quite untouched by time, with pepper-pot
towers, a river in a deep ravine, and well worth a literary pilgrimage
if only for its associations with Mme. de Sévigné and the Président de
Brosses, where you have the added delight of the richest medieval odours
powerfully assisted by a tannery—an unrivalled combination! Why do so
many Englishmen grumble at these things instead of appreciating them
æsthetically, as accompaniments of the French scene, as part of that
varied experience which we call “abroad”? Or why do they explain them
on the illiberal assumption of some inherent inferiority in the French
character?
Public-domain text, read in full here on John Shaqi.
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