Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
But at length Beckett and Carpentier made their triumphal entry. Beckett
first, quietly smiling, with eyes cast down, Carpentier debonair and
lightly saluting the crowd with an elegant wave of the hand. After the
pair had stripped and Dr. Johnson had pointed out that “the tenuity,
the thin part” in Carpentier’s frame indicated greater lightness, if
Beckett’s girth promised more solid resistance, Mr. Angle invited the
company to preserve silence during the rounds and to abstain from
smoking. To add a last touch to the solemnity of the moment, Carpentier’s
supernumerary henchmen (some six or eight, over and above his trainer and
seconds) came and knelt by us, in single file, in the alley between Block
H and Block E, as though at worship.
What then happened, in the twinkling of an eye, all the world now knows,
and knows rather better than I knew myself at the moment, for I saw
Beckett lying on his face in the ring without clearly distinguishing
the decisive blow. While Carpentier was being carried round the ring
on the shoulders of his friends, being kissed first by his trainer
and then by ladies obligingly held up to the ring for the amiable
purpose, I confess that I watched Beckett, and was pleased to see he had
successfully resumed his quiet smile. As I carried my revered friend
home to Bolt Court in a taximetric cabriolet, I remarked to him that
Beckett’s defeat was a blow to our patriotic pride, whereupon he suddenly
uttered, in a strong, determined tone, an apophthegm at which many will
start:—“Patriotism is the last refuge of a scoundrel!” “And yet,” said
Beauclerk, when I told him of this later, “he had not been kissed by
Carpentier.”
MY UNCLE TOBY PUZZLED
“’Tis a pity,” cried my father, one winter’s night, after reading the
account of the Shakespeare Memorial meeting—“’tis a pity,” cried my
father, putting my mother’s thread-paper into the newspaper for a mark
as he spoke,—“that truth, brother Toby, should shut herself up in such
impregnable fastnesses, and be so obstinate as to surrender herself up
sometimes only upon the closest siege.”
The word siege, like a talismanic power, in my father’s metaphor, wafting
back my uncle Toby’s fancy, quick as a note could follow the touch, he
opened his ears.
“And there was nothing to shame them in the truth, neither,” said my
father, “seeing that they had many thousands of pounds to their credit.
How could a bishop think there was danger in telling it?”
“Lord bless us! Mr. Shandy,” cried my mother, “what is all this story
about?”
“About Shakespeare, my dear,” said my father.
“He has been dead a hundred years ago,” replied my mother.
My uncle Toby, who was no chronologer, whistled “Lillibullero.”
Public-domain text, read in full here on John Shaqi.
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