Drama -- History and criticism; English essays -- 20th century; Literature -- History and criticism
It marked, however, the feeling of the hour with him that this vision of
future “bluffing” about vintages interfered not at all with the measure
of his actual _malaise_. He still nervously fingered the telegram handed
to him at lunch, and, when read, furtively crumpled into his pocket
under Lady Jemima’s celebrated nose. It was entirely odious to him, the
crude purport of the message, as well as the hideous yellow ochre of
its envelope. “Confidently expect you,” the horrid thing ran, “to come
and see your own play.” This Stage Society, if that was its confounded
name, was indeed of a confidence! Yes, and of the last vulgarity!
His conscience was not void, but, on the contrary, quite charged and
brimming with remembered lapses from the ideal life of letters—it was
the hair-shirt he secretly wore even in the Scratchem world under the
conventional garment which the Lady Jemimas of that world teased him by
calling a “boiled rag”—but the “expected,” _that_, thank goodness, he
had never been guilty of. Nay, was it not his “note,” as the reviewers
said, blithely and persistently to balk “expectation”? Had he not in
every book of his successfully hugged his own mystery? Had not these same
reviewers always missed his little point with a perfection exactly as
admirable when they patted him on the back as when they kicked him on the
shins? Did a single one of them ever discover “the figure in the carpet”?
How many baffled readers hadn’t written to him imploring him to divulge
what _really_ happened between Milly and Densher in that last meeting
at Venice? Certainly he was in no chuckling mood under the smart of the
telegram, but it seemed to him that he could almost have chuckled at the
thought that he beautifully didn’t know what happened in that Venetian
meeting himself! And this impossible Stage Society, with that collective
fatuity which seems always so much more gross than any individual sort,
“confidently expected” him to come!
Public-domain text, read in full here on John Shaqi.
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