Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
Hometown, owing to some early local faction, is divided into two
sections, forming two distinct towns. One, Newborough, a hill-top
hamlet, with its picturesque long street, a hundred feet in width, and
shaded with great weeping elms that almost meet overhead; and the other,
Hometown proper, a picturesque little village in the valley, cuddling
close around the foot of a precipitous bluff, known as Mount Pisgah. A
mile’s distance separates the two centres. The old homestead is
situated in the heart of Hometown, fronting on the main street. The
house itself is a series of after-thoughts, wing after wing and gable
after gable having clustered around the old nucleus, as the growth of
new generations necessitated increased accommodation. Its outward aspect
is rather modern, but the interior, with its broad open fireplaces, and
accessaries in the shape of cranes and fire-dogs, is rich with all the
features of typical New England; and the two gables of the main roof
enclose the dearest old garret imaginable--at present an asylum for the
quaint possessions of antique furniture and bric-à-brac, removed from
their accustomed quarters on the advent of the new host. It is to this
sanctuary that my footsteps first lead me, and, with a longing that will
not be withstood, I find myself in front of the great white door. I lift
the latch; a cool pungent odor of oak wood greets me as I ascend the
steep stairs--an odor that awakens, like magic, a hundred fancies, and
recalls a host of memories long forgotten. Every stair seems to creak a
welcome, as when, on the rainy days of long ago, we sought the cosy
refuge to hear the patter on the roof, or to nestle in the dark, obscure
corners in our childish games. At the head of the stairs rises the
ancient chimney, cleft in twain at the foot, with the quaint little
cuddy between. Above me stretch the great beams of oak, like iron in
their hardness. Yonder is the queer old diamond window looking out upon
the village church, its panes half obscured by the dusty maze of webs.
To the left, in a shadowy corner, stands the antiquated wheel--a relic
of past generations. Long gray cobwebs festoon the rafters overhead, and
the low buzzing of a wasp betrays its mud nest in the gable above. A
sense of sadness steals over me as I sit gazing into this still chamber.
On every side are mementos of a happy past, and all, though mute,
speaking to me in a language whose power stirs the depths of my soul.
Wherever the eye may turn, it meets with a silent greeting from an old
friend, and the whole shrouded in a weird gloom that lends to the most
common object an air of melancholy mystery. And yet it is only a garret.
There are some, no doubt, for whom this word finds its fitting synonyme
in the dictionary, but there are others to whom it sings a poem of
infinite sweetness.
Public-domain text, read in full here on John Shaqi.
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