Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
different in each, that several of my friends, even with the most
careful scrutiny, failed to detect the deceptive spot. Whether the
result of chance or of the instincts of the insect, I do not know; but
certain it is that he paints with different colors under varying
circumstances.
Insect-hunting had always been a passion with me. Large collections of
moths and butterflies had many times accumulated under my hands, only to
meet destruction through boyish inexperience; and even in childhood the
love for the insect and the passion for the pencil strove hard for the
ascendency, and were only reconciled by a combination which filled my
sketch-book with studies of insect life.
There was one inhabitant of our fields which had always been to me a
never-failing source of entertainment. There he is, the gilded tyrant. I
see him now swinging to and fro on his glistening nest of silken
threads, his golden yellow form glowing in bold relief against the dark
recess in the brambles. My sketch is left in the grass, and I am soon
seated in front of the gossamer maze. A festive grasshopper jumps up
into my face, and makes a carom on the web. With a spasmodic snap of one
hind leg he extricates it from its entanglement, and in another instant
would fall from the meshes; but the agile spider is too quick for him.
With a movement so swift as almost to elude the eye, he draws from his
body a silver cloud of floss, and with his long hind legs throws it over
his captive. The head and tail of the grasshopper are now further
secured, after which the spider carefully straddles around the
struggling insect, and bites off the other radiating webs in close
proximity. The unlucky prey now hangs suspended across the opening. With
business-like coolness his tormentor dangles himself from the edge of
the torn web, and another cataract of glistening floss is thrown up and
attached to the under side of the prisoner, after which he is turned
round and round, as if on a spit. The stream of floss is carried from
head to foot, and in less time than it takes to describe it the victim
is wrapped in a silken winding-sheet, and soon meets his death from the
poisoned fangs of his captor. Here is but one of the thousands of
tragedies that are taking place every hour of the day in our fields.
While deeply interested in the closing scenes of this one, I suddenly
become aware of a shadow passing over the bushes. I turn my head, and
meet the puzzled and pleasant gaze of Amos Shoopegg, as he stands there,
hands in pockets, and milk-pail swinging from his wrist.
[Illustration: THE TYRANT OF THE FIELDS.]
“Wa’al, thar,” he exclaims, banging down one brawny fist on his uplifted
knee. “Buggin’ agin, I swaow! Hain’t yeu got over thet yit? What yeu kin
find so mighty fine in them ’ere bugs beats me.”
“Amos,” I replied, “there’s a great deal more in these bugs than you
imagine.”
Public-domain text, read in full here on John Shaqi.
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