Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
“And then you will both report to me as usual.” And with a pleasant
smile, which was reflected in both their faces, the erring youngsters
were dismissed. Before the door has closed behind them we are standing
in the door-way. Here I draw the curtain; for who but one of its own
household could understand a welcome at the Snuggery?
Those of my old school-mates who read this meagre sketch will know the
happiness of such a meeting; but others less fortunate in the
recollections of school-life can only look for its counterpart in an
affectionate welcome in their own homes, for the Snuggery _is_ a home to
all who ever dwelt within its gates. Seated in the familiar cosiness,
and surrounded by the friends of my school-days, the hours fly fast and
pleasantly. There is plenty to talk about. Here is a village full of
good people of whom I wish to learn, and there are many far-off chums of
whom I carry tidings. A bell rings in the cupola as one by one, from the
buzz in the outer rooms, boys large and small seek our seclusion for the
accustomed good-night adieu; and ere another hour has passed forty
sleepy urchins are packed away in their snug quarters. The evening runs
on into midnight, as with stories of the past, its pains and penalties,
its remembrances, now humorous now sad by turns, we recall the good old
times; and the “wee sma’ hours” are already upon us as we reluctantly
retire from the goodly company to our rooms across the way.
[Illustration: TOLLING FOR THE DEAD.]
The next morning finds us in the midst of a merry load, with Mr. Snug as
a driver; and many and varied were the beauties that opened up before us
on that charming ride! Snug Hamlet, once called Judea, in the qualities
of its landscape as well as in everything else, is unique. Stripped of
all its old associations, it presents to the artistic eye a combination
of attractions scarcely to be equalled in the boundaries of New England.
Situated itself on the brow of an abrupt hill, where its picturesque
homes cluster about a broad open green, a few minutes’ drive in any
direction reveals a surrounding panorama of the rarest loveliness. Five
hundred feet below us, winding in and out, now beneath leafy tangles,
now under quaint little bridges, and again reposing placidly in broad
mill-ponds, the happy Shepaug lends to a lovely valley its usefulness
and beauty. Turning in another direction, we pass the Snuggery
ball-ground, animated with the shouts of victory; and descending into a
vale of almost primeval wildness, we continue our way up the ascent of
“Artist’s Hill,” from whose summit on every side, as far as the eye can
reach, the landscape softens into the hazy horizon. Returning, we pass
through a ruined waste, where, three months before, the fierce tornado
swooped down in its fiendish fury. On every side we see its awful
evidences. Huge oaks, like brittle pipe-stems, snapped from their
moorings; sturdy hickories, mere play-things in the gale, twisted into
shreds.
Public-domain text, read in full here on John Shaqi.
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