Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
“You _stumbled_, did you?” said Mr. Snug. “Well, you ought to know, sir,
by this time that I don’t allow young men to stumble in that way in my
house. These two boys have suffered through your admitted clumsiness.”
Here Mr. Snug paused in a moment’s thought. “Dick Shin,” he continued,
“I sent these innocent young gentlemen on two trips to Moody Barn--that
makes four miles for Bigson and four miles for Harding, together making
eight that they walked on your account. Now you may put down your
fishing-pole, and ‘stumble’ along on the road to Judd’s Bridge, which
will give you two extra miles in which to think over your sins. And to
make sure”--here Mr. Snug arose and went to the closet--“you may take
this hatchet along with you, and bring me back a good big chip from the
end of the long bridge beam. I shall ride over that way to-morrow and
see whether it fits. You understand?”
“Yes, sir,” replied the injured voice of Dick Shin. “But, Mr. Snug,
can’t I put off that penance until Monday?”
“No, sir,” replied Mr. Snug, with a beaming smile and a bow of the head.
“This is a lovely morning for contrite meditation. Go--_instantly_.”
Two hours later saw a demonstrative individual threatening to chop down
the whole side of a bridge, while ten miles to the northward the placid
surface of Waramaug rippled to the oars, and the lofty mountain-sides
echoed with the shouts of a merry holiday.
* * * * *
But all things must have an end. The school-days ended, and so did this
memorable vacation. A letter breaks the charm: insatiate publisher! Once
more through the winding paths of the Housatonic, and I leave the
loveliness of Hometown for the metropolis of brick and stone, there to
resume the old routine.
AUTUMN.
[Illustration: THE WANING]
[Illustration]
I am sitting alone upon a wooded knoll at our old farm at Hometown.
Above me a venerable oak holds aloft its dome of bronze-green verdure,
and on either side the gnarled and knotty branches bend low, and trail
their rustling leaves among the tufts of waving grass that fringe the
slope around me.
It is a spot endeared to me from earliest memory, a loved retreat whose
every glimpse beneath the overhanging boughs has left its impress, whose
every feature of undulating field, of wooded mountain, and winding
meadow-brook I have long been able to summon up at will before my closed
eyes, as though a mirror of the living picture now before me. And what
is this picture?
Public-domain text, read in full here on John Shaqi.
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