Pastoral Days; or, Memories of a New England Year — John Shaqi
Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
The tepid rain has penetrated deep into the yielding ground, and with
the winter’s frost now coming to the surface, the roads are well-nigh
impassable with their plethora of mud. For a full appreciation of _mud_
in all its glory, and in its superlative degree, one should see a New
England highway “when the frost comes out of the ground.” The roads are
furrowed with deep grimy ruts, in which the bedabbled wheels sink to
their hubs as in a quicksand, and the hoofs of the floundering horse are
held in the swampy depths as if in a vise. For a week or more this state
of things continues, until at length, after warm winds and sunny days,
the ground once more packs firm beneath the tread. This marks the close
of idle days. The junk pile in the barn is invaded, and the rusty plough
abstracted from the midst of rakes and scythes and other farming tools.
The old white horse thrusts his long head from the stall near by, and
whinnies at the memories it revives, and with pricked-up ears and
whisking tail tells plainly of the eagerness he feels.
[Illustration: EARLY PLOUGHING.]
Back and forth through the sloping lot the ploughman slowly turns the
dingy sward, and in the rich brown furrow, following in his track, we
see the cackling troop of hens, and the lordly rooster, with great ado,
searches out the dainty tidbits for his motley crowd of favorites. The
whole landscape has become infused with human life and motion. Wherever
the eye may turn it sees the evidences of varied and hopeful industry.
Yonder we notice an oft-recurring little puff of mist, like a burlesque
snow-drift, ever and anon bursting into view, and softly vanishing
against the sward; another glance detects the slow progress of horse and
cart, as the farmer sows his load of plaster across the whitening field.
Farther up, where the brow of the hill stands clear against the sky, a
pacing figure, with measured sweep of arm, scatters the handfuls of
wheat, and team and harrow soon are in his path, combing and crumbling
the dark-brown mould. High curling wreaths of smoke wind upward from the
flat swamp lot beyond, where hilarious boys enjoy both work and play in
burning off the brush. Here we shall see the first welcome nibble of
fresh grass for the poor bereaved cow, whose lamenting bleat now echoes
through the barn near by; and for those oxen, too, that with swaying,
clumsy gait lug the huge roller across the neighboring field. And what
strange yells and exclamations guide them in their labored progress! “Ho
back! Gee up, ahoy! Ho haw!” From every direction, in voices near, and
others faint with distance, we hear this same queer jargon. Who could
believe that so much good work hung upon the incessant reiteration of
that brief and monotonous vocabulary? Rather would we listen to the
musical ring of the laughing children riding on the big “brush harrow”
down through that barn-yard lane beyond. Now they are out upon the
broken ground where John has strewn the “compost” to be “brushed in.” A
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account