Patchwork: A Story of 'The Plain People' — John Shaqi
Patchwork: A Story of 'The Plain People'Myers, Anna Balmer
General
Patchwork: A Story of 'The Plain People'
Myers, Anna Balmer
Amish -- Fiction
"I'm afraid it's the way for me, too," confessed Phœbe. "I'm vain,
awfully vain! I love pretty clothes and I'll never be satisfied till I
get 'em--silk dresses, soft, shiny satin ones--ach, I guess I'm vain but
I'll have to wait to satisfy my vanity till I'm older, for Aunt Maria is
so set against fancy clothes."
It was true, Maria Metz compromised on some matters as Phœbe grew older,
but on the question of clothes the older woman was adamant. The child
should have comfortable dresses but there would positively be no useless
ornaments or adornments, such as wide sashes, abundance of laces,
elaborately trimmed ruffles. Fancy hats, jewelry and unconfined curls
were also strictly forbidden.
Though Phœbe, even as she grew older, had much time to spend outdoors,
there were many tasks about the house and farm she had to perform. The
chest was soon filled with quilts and that bugbear was gone from her
life. But there was continual scrubbing, baking, mending, and other
household tasks to be done, so that much practice caused the girl to
develop into a capable little housekeeper. Aunt Maria frankly admitted
that Phœbe worked cheerfully and well, a matter she found consoling in
the trying hours when Phœbe "wasted time" by playing the low walnut
organ in the sitting-room.
During Miss Lee's first term of teaching on the hill she taught her how
to play simple exercises and songs and the child, musically inclined,
made the most of the meagre knowledge and adeptly improved until she was
able to play the hymns in the Gospel Hymn Book and the songs and carols
in the old Music Book that had belonged to her mother and always rested
on the top of the old low organ.
So the organ became a great solace and joy, an outlet for the intense
feelings of desire and hope in her heart. When her voice joined with the
sweet tones of the old instrument it seemed to Phœbe as if she were
echoing the harmony of the eternal music of all creation. Child though
she was, she sang with the joy and sincerity of the true musician. She
merely smiled when Aunt Maria characterized her best efforts as
"doodling" and rejoiced when her father, Mother Bab or David praised her
singing.
In school she progressed rapidly but her interest lagged when, after
two years of teaching, Miss Lee resigned her position as teacher of the
school on the hill and a new teacher took command. The entire school
missed the teacher from Philadelphia, but Phœbe was almost inconsolable.
She, especially, appreciated the gain of contact with the teacher she
loved and she continued to profit by the remembrance of many things Miss
Lee had taught her. The Memory Gems, alone, bore evidence of the change
the teacher from the city had wrought in the rural school. Phœbe smiled
as she thought how the poems had been sing-songed until Miss Lee taught
the children to bring out the meaning of the words.
Public-domain text, read in full here on John Shaqi.
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