Paths of Glory: Impressions of War Written at and Near the Front — John Shaqi
Paths of Glory: Impressions of War Written at and Near the FrontCobb, Irvin S. (Irvin Shrewsbury)
History
Paths of Glory: Impressions of War Written at and Near the Front
Cobb, Irvin S. (Irvin Shrewsbury)
World War, 1914-1918 -- Campaigns -- Western Front; World War, 1914-1918 -- Personal narratives
This, they told us, pointing, was the place where he lay. One man in
pantomime acted out the drama of the discovery of the body. He was a
born actor, that Belgian villager, and an orator--with his hands.
Somehow, watching him, I visualized the victim as a little man, old and
stoop-shouldered and feeble in his movements.
I looked about the room. The corner toward the road was a black ruin,
but the back wall was hardly touched by the marks of the fire.
On a mantel small bits of pottery stood intact, and a holy picture on
the wall--a cheap print of a saint--was not even singed. At the foot of
the cellar steps curdled milk stood in pans; and beside the milk, on a
table, was a half-moon of cheese and a long knife.
We wanted to know why the man who lived here had been killed. They
professed ignorance then--none of them knew, or, at least, none of them
would say. A little later a woman told us she had heard the Germans
caught him watching from a window with a pair of opera glasses, and on
this evidence took him for a spy. But we could secure no direct
evidence either to confirm the tale or to disprove it.
We got to the center of the town, leaving the venerable nag behind to be
baited at a big gray barn by a big, shapeless, kindly woman hostler
whose wooden shoes clattered on the round cobbles of her stable yard
like drum taps.
In the Square, after many citizens had informed us there was nothing to
eat, a little Frenchwoman took pity on our emptiness, and, leading us to
a parlor behind a shop where she sold, among other things, post cards,
cheeses and underwear, she made us a huge omelet and gave us also good
butter and fresh milk and a pot of her homemade marmalade. Her two
little daughters, who looked as though they had escaped from a Frans
Hals canvas, waited on us while we wolfed the food down.
Quite casually our hostess showed us a round hole in the window behind
us, a big white scar in the wooden inner shutter and a flattened chunk
of lead. The night before, it seemed, some one, for purposes unknown,
had fired a bullet through the window of her house. It was proof of the
rapidity with which the actual presence of war works indifference to
sudden shocks among a people that this woman could discuss the incident
quietly. Hostile gun butts had splintered her front door; why not a
stray bullet or two through her back window? So we interpreted her
attitude.
It was she who advised us not to try to ford the Sambre at Merbes-le-
Chateau, but to go off at an angle to La Buissière, where she had heard
one bridge still stood. She said nothing of a fight at that place. It
is possible that she knew nothing of it, though the two towns almost
touched. Indeed, in all these Belgian towns we found the people so
concerned with their own small upheavals and terrors that they seemed
not to care or even to know how their neighbors a mile or two miles away
had fared.
Public-domain text, read in full here on John Shaqi.
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