Patience Sparhawk and Her Times: A NovelAtherton, Gertrude Franklin Horn
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Patience Sparhawk and Her Times: A Novel
Atherton, Gertrude Franklin Horn
American fiction -- 19th century
“Do?” cried Patience, angrily, who was so excited herself that she
pumped Rosita’s arms up and down as if the unfledged Thespian had just
been rescued from the bay. “Do? You must brace up. When you get there
you’ll be all right. And you _must not_ get stage fright. Rosita, you
_must_ make a success. Remember you’ve got the star part. Don’t, _don’t_
make a fool of yourself.”
“Oh, if you could only hold my hand,” wailed Rosita.
“Well, I can’t, and that’s the end of it. Now! brace up quick.” The
prompter was calling in a loud whisper,—
“Miss Thrailkill, be ready when I say, ‘Life.’”
“_Ay, dios de mi alma_,” almost sobbed Rosita.
Patience dragged her to the wings and held her there. When the cue was
spoken she gave her a hard pinch, then a shove. Rosita gasped and
disappeared.
Patience slipped round into the audience, her heart in her throat, her
eyes black with excitement. If Rosita broke down she felt that she
should have hysterics.
At first Rosita had nothing to say. Upon entering she had merely to
fling herself upon a divan in an indolent attitude whilst the others
carried on a spirited dialogue. Patience saw that she had managed to get
to the sofa without falling prone, but also observed that her bosom was
heaving. Nevertheless, when her time came she managed to drawl her
lines, although with as little expression as she told her rosary.
Patience stamped her foot audibly.
But as the play progressed it was evident that Rosita was recovering her
poise. When she finally had to come forward she moved with all the
indolent grace of her blood, and delivered her little speech with such
piquant fire that the audience applauded loudly. And with that clatter
of feet and hands a new light sprang into the Spanish girl’s eyes, an
expression half of surprise, half of transport. From that time on she
acted in a manner which astonished even her instructor.
She looked exquisitely pretty. Her white rounded neck and arms were
bare. Her black soft hair hung to her knees, unbound, caught back above
one little ear with a pink rose. Her dress was of black Spanish lace
covered with natural roses. On her tiny feet she wore a pair of black
satin slippers which had belonged to her grandmother and twinkled many a
time to the music of El Son.
When, upon being twitted with her indolence, she suddenly sprang to the
front of the stage, and after singing an old Spanish love-song to the
music of her own guitar, danced El Son with all the rhythmic grace of
the beautiful women of the old gay time, she was no longer an actress
but an impersonator. The more the delighted audience applauded the more
poetically she danced, the more significantly her long eyes flamed. Once
when the applause deafened she swayed as if intoxicated. As the dance
finished, her red lips were parted. She was panting slightly.
When the curtain fell Patience rushed into the dressing-room and
embraced her rapturously. “Rosita!” she cried, “you were simply,
mag-_nif_-icent.”
Public-domain text, read in full here on John Shaqi.
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