Patrician and Plebeian: Or The Origin and Development of the Social Classes of the Old DominionWertenbaker, Thomas Jefferson
History
Patrician and Plebeian: Or The Origin and Development of the Social Classes of the Old Dominion
Wertenbaker, Thomas Jefferson
Virginia -- History -- Colonial period, ca. 1600-1775; Virginia -- Social life and customs -- To 1775
The distinguished historian, Lyon Gardiner Tyler, in _Tyler's
Magazine_, Volume I, says that "Virginia owes much to the London
firms, because they were continually sending over trusted young agents
... many of whom settled down and founded Virginia families.... The
business of the merchants consisted largely in buying and selling
tobacco and importing settlers and servants, for each of which if
imported at their expense the merchants were entitled to fifty acres
of land. Then there was the usual trade in clothing and articles of
general use."
Though the Virginian who acquired a degree of wealth was no
aristocrat, he longed to be one. His grandfather, or his
great-grandfather might have been a younger son of an English squire.
He envied the honor, wealth, and power landholding brought that
ancestor, just as many Virginians today envy the life of the colonial
plantation owner. So when he found himself an extensive landholder, he
thought of himself as an English squire. He too would build a fine
residence, decorate his walls with family portraits, have a formal
garden, accumulate a library, and dress in the latest English fashion.
Virginia in the colonial period was linked to England by government,
commerce, religion, reading, education. The mother country sent over
governors who set the fashion in courtly living. It was the planter's
agent in London or Bristol who usually selected his furniture, his
silverware, his clothing, and often even his books. When on Sunday he
went to church he listened to a minister who had been born and
educated in England. The shelves of his library were lined with books
from England, if he could afford it he sent his son to Oxford or
Cambridge.
When a Virginia planter visited England in the eighteenth century, he
was deeply impressed by the beauty and dignity of the great country
mansions there. As he viewed Longleat, or Blenheim, or Eaton Hall, he
must have resolved that he too would build a stately house on the
banks of the James. If he had never been to England, he might take
down an English book of architecture--Batty Langley's _Treasury of
Designs_, or Abraham Swan's _The British Architect_, or James Gibb's
_A Book of Architecture_--pick out a suitable design and model his
house on it. He might even send to England for an architect, as did
George Mason, when he engaged William Buckland to design beautiful
Gunston Hall. Westover, Carter's Grove, Mount Airy, Kenmore, Brandon,
all bear the stamp of the English Georgian.
If there was any doubt that the Virginia gentlemen followed the latest
English fashions in dress, a glimpse at their portraits would dispel
it. William Byrd II, as he appears in the painting by Sir Godfrey
Kneller would have made a fine figure in any assembly in England; no
English nobleman was better dressed than Robert Carter, of Nomini
Hall, as shown in the Reynolds portrait.
Public-domain text, read in full here on John Shaqi.
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