Patriotic Plays and Pageants for Young People — John Shaqi
Patriotic Plays and Pageants for Young PeopleMackay, Constance D'Arcy
History
Patriotic Plays and Pageants for Young People
Mackay, Constance D'Arcy
Pageants; Patriotic plays, American
The pageant players should, if possible, have the sun at the side. It
is very difficult to play facing a strong light. Choice of the time of
day in which the pageant is given has much to do with its
effectiveness. Late afternoon (from four o'clock on) is by far the best
time for outdoor drama. The earlier hours are somewhat garish,--the
light too high, the contrasts too sharp and unvaried. But from four
o'clock on the light mellows, the shadows become long and sweeping, the
outdoor effects grow more and more beautiful. It is as if the first
hint of sunset were the signal for ringing down a magic curtain on a
scene where nature herself was pageant mistress. This is true of all
outdoor plays as well as pageants.
Those who direct the pageant should see to it that the youthful players
make a finished exit; that is, that one scene and set of players
disappear entirely from view before another set of players begin to
come on. Off stage the players should be in groups, arranged in the
order in which they are to appear, so that as one group leaves the
stage, the next is ready to appear, and confusion is avoided. No talk
should be allowed off stage. On a still Summer day sounds carry: a
murmur is confusing to the players.
The players should not be dependent on words alone for their cues. Very
often a word may fail to carry out of doors; but a gesture can always
be seen. Therefore, _gesture cues_ can be used at many of the climaxes.
These cues can be quite simple and natural, and while perfectly
understandable to the players themselves, need not be at all obvious to
the audience. The players and their director can decide upon the cues,
and will find them of immense help. Thus, by an upraised arm, or by
tossing back a braid of her hair, Pocahontas can signal to Powhatan
that her talk with John Smith is finished. Washington shielding his
eyes with his hand can be a signal to Carey that it is time for him to
enter, etc., etc. Of course, in many cases the ending or beginning of a
dance, or the entrance of some principal character will be cue enough
in itself.
Public-domain text, read in full here on John Shaqi.
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