A white curtain of sheeting, or other similar material. A strong light placed behind the curtain throws into high relief the figures as they pass in significant procession. They are shadow silhouettes of a time long gone, of a race who now are shadows. Care should be taken that they move in exactly the right space, so that the shadows will not vary greatly in height or in bulk. First a chieftain passes, wonderful in feathers. Next a young brave, who, standing alone a moment, tries the taut string of his bow. Next an Indian maid, with a basket poised on her head. Then two young braves with fish slung on a pole between them. Then a group of Indian maidens. An Indian child or two. A squaw with fagots on her back. Another with a papoose. Then two Indians with a canoe, representing the portage of a canoe. Then a final group of young braves. The music, which begins as the chief passes, continues throughout the procession until the last Indian has passed, then ebbs and dies, growing fainter and fainter, till it ceases. Mac-Dowell's "From an Indian Lodge" is suitable for this. THE COMING OF THE WHITE MAN: TABLEAU This tableau represents a woodland scene, and is supposed to symbolize the coming of the Norseman. A young Indian brave, with skins about his shoulders and hips, his black hair flying, his brown arms barbarically braceleted, stands poised, listening, and looking at a spot where the Norsemen are supposed to be making a landing, off stage. With one hand he shields his eyes. With the other he holds his bow. The tableau should suggest the wild freedom of an untamed spirit. For music, some bars of Grieg's Norse airs. PRINCESS POCAHONTAS For this pageant episode see page 12 of the Outdoor Arrangement of the Pageant of Patriots. PRISCILLA MULLINS SPINNING: TABLEAU The same woodland setting as has been used for Pocahontas. In the center of the stage Priscilla and her spinning-wheel. The scene is outside her dooryard at Plymouth, Mass., in the Spring of 1621. The tableau should be held a full minute. Appropriate music: Senta's "Spinning Song"; or Solvig's "Spinning Song" from Grieg's "Peer Gynt Suite." BENJAMIN FRANKLIN: JOURNEYMAN CHARACTERS BENJAMIN FRANKLIN, a young printer ROGER BURCHARD, a Quaker ELIZABETH BURCHARD, his wife DEBORAH READ WILLIAM, an inn boy SCENE: A room in a tavern. Place: Philadelphia. Time, October, 1723. The room is a private one in the tavern known as The Crooked Billet. It has a neat, cheerful, welcoming aspect. At left a small fire glimmers on the brass andirons of a well-kept hearth. A brass kettle rests on a hob. On the shelf above the hearth candles are alight. All across the background are a series of small windows curtained in chintz. By these windows a table set for supper, with a white linen cloth and delicately sprigged china. Quaint chairs with spindle legs.