"I shall be revolving, if I don't get some fresh air! Why must you
have these incense things smoking, not to mention some of the guests
smoking also, and, incidentally, that Moorish lamp is smoking badly! I
_am_ absorbing your atmosphere, and it is choking me!"
Patty was in earnest, though she spoke lightly. The unpleasant air
filled her lungs, and she wanted pure oxygen.
"Oh, all right," and Blaney laughed, indulgently. "You can't expect to
achieve all at once. Come, we'll step out on the veranda for a whiff
of outdoors, and then come back for the program."
"There's to be a program?"
"Oh, yes. Most wonderful work, by genius itself. Now, please, Miss
Fairfield, don't resist the influence."
They were out on the tiny veranda that graced the Blaney's dwelling.
The stars shone down through the pure winter air, and Patty felt as if
she had been rescued from a malarial swamp. But Blaney was impressive.
His deep, soft voice persuaded her against her will that she was
pettish and crude to rebel at the unwholesome atmosphere inside. "You
don't understand," he said gently. "Give us a fair trial. That's all
I ask. I know your inner nature will respond, if you give it its
freedom. Ah, freedom! That's all we aim for,--all we desire."
Through the window, Patty heard the sound of weird strains of music.
"Come on," she cried, "I do want to see this thing through. If that's
the program beginning, take me in. I want to hear it."
They returned to the Studio, and Blaney found two seats which commanded
a view of the platform. The seats were uncomfortable, being small
wooden stools, and the air was still clouded with smoke of various
sorts. But, determinedly, Patty prepared to listen to the revelations
that awaited her. She had long had a curiosity to know what "Bohemia"
meant, and now she expected to find out. They were nowhere near their
own crowd. In fact, she couldn't see Elise or Mona, though Philip was
visible between some rickety armour and a tattered curtain. Very
handsome he looked, too, his dark, and just now gloomy, face thrown
into relief by the "artistic" background.
"Apparently, Mr. Van Reypen is not enjoying himself," Blaney commented,
with a quiet chuckle. "He's not our sort."
This remark jarred upon Patty, and she was about to make a spirited
retort, when the music began.
A girl was at the piano. Her gown, of burlaps, made Patty think it had
been made from an old coffee sack. But it had a marvelous sash of
flaming vermilion velvet, edged with gold fringe, and in her black hair
was stuck a long, bright red quill feather, that gave her an Indian
effect.
"I think her gown is out of key," Patty whispered, "and I am sure her
music is!"
Blaney smiled. "She is a law unto herself," he replied, "that is an
arbitrary minor scale, played in sixths and with a contrary motion."
Patty stared. This was a new departure in music and was interesting.
Public-domain text, read in full here on John Shaqi.
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