"I'm a mind reader, Mr. Blaney, and I perceive you mean me. But you're
mistaken. I'm pretty, in a doll-faced way, but Mona is really
beautiful."
"You know where beauty is, Miss Fairfield. In the eye of the beholder."
"Let me see. Yes," after she had looked straight into Blaney's eyes,
"yes, you have beauty in your eyes."
"The reflection of your face," he replied, serenely. "You are a
flower-face; I never saw any one who so well merited the term. I must
write a sonnet to Flower Face."
"It can't be any better poetry than the verses you wrote to me at
Lakewood. They are exquisite. Mayn't I show them?"
"Please not. I fancied you would like to keep them just for yourself.
Stay, I have a better name for you. Flower Soul, that's what you are.
That shall be the theme of my sonnet. I think your soul is made of
white lilac."
"Why do you people always talk about souls?" asked Patty, gaily. "You
don't mean souls really, you know; you mean--well, what do you mean?"
"No, we don't mean souls in the theological sense, we mean the higher
understanding and finer sensations."
"Oh," said Patty, not much enlightened.
"And you are coming to see us soon, aren't you? Alla said you promised
her you would."
"Yes, I did. And I will come. Do you have regular meetings, like a
club,--or what?"
"Yes, like a club, but not on set dates. I'll let you know when the
next one--or, stay, I know now. There will be a gathering at our place
next Tuesday night. Will you attend? May I come and fetch you?"
"Yes, do, I'd love to be there. Gracious, here comes Mona. I must be
with the others."
Patty hurried across the room to stand with the bridal attendants, and,
looking very handsome in her travelling costume, Mona bade them
good-bye. There was no mad scramble as the bride and groom departed,
but flower petals and confetti were showered on them, which they
good-naturedly allowed.
"Come along, my lady," said Roger, at last, as Mona delayed to talk to
the girls.
And then they went away, and some of the guests stayed to dance a
little longer.
"Come, Patty," said Van Reypen, as the orchestra struck up, "this is
our dance."
Patty assented, and they went gliding over the perfect floor.
Philip said nothing while they danced, and Patty, too, was silent.
This was unusual, for Patty generally chattered as she danced.
"Tired, dear?" said Philip, at last.
"A little. It has been a long evening."
"And a strenuous one. I saw you were getting weary as you stood in
that line of receiving so long. Come, let us sit down."
Philip guided her to a pleasant settee, screened by tall palms, and
seated himself beside her.
"Poor little girl," he said, "you're all done up. You must go home
soon, Patty. You can't dance any more tonight."
"Oh, yes, I can. I'm not really tired. It's more excitement and----"
"And nerves. I know,--Mona getting married means a lot to you. You're
very intimate friends, aren't you?"
Public-domain text, read in full here on John Shaqi.
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