Courtship -- Fiction; Mate selection -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Burleigh had known Patty Sanford from childhood in the way that
everybody in Montfield knew everybody else. They had been companions at
school, where Burleigh was only one of a dozen who believed themselves
ready to lay down their lives for the doctor's daughter, or--a far
greater proof of devotion--to share with her their last apple, or
handful of chestnuts. It is true that the social status of the Bloods,
so far as such distinctions were marked in Montfield, was below that of
the Sanfords; and Miss Mullen of Mullen House, the aristocrat of the
village, wondered that Patty could associate with everybody as she did.
But Patty, while secretly proud enough of her family, was democratic
at least in the treatment of her admirers; and young Blood found as
warm a welcome at the doctor's cottage as did Clarence Toxteth. With
Patty, Burleigh was less shy than with any girl of his acquaintance,
and yet was far from being at his ease, even in her presence. With her
cousin, whom he had known only a few weeks, he was at first painfully
diffident. Her manner so completely ignored this shyness, however, that
it was gradually wearing away.
"I do hope Patty's ankle isn't hurt so that she can't take her part in
the theatricals," Flossy said as they rode along.
"Dr. Sanford thought," he returned, "that is, he said, she'd be all
right in a week or so, if she'd keep still."
"She never did keep still," answered Flossy. "But I'll do my best to
make her now. Did you ever play in amateur theatricals?"
"I? Oh, no! of course not."
"There's no of course about it; only of course you'll play now. This
bashful man, you know, is just your part."
"This bashful man?" he repeated doubtfully.
"Oh, yes! In this play, you know. Patty and I both say you'll do it
capitally."
In despite of her assurance that he knew, Burleigh was painfully
conscious that he did not; and, indeed, her way of designating every
thing as "this, you know," or "that other, you know," was sufficiently
confusing.
"I have had such fun in theatricals!" Flossy ran on, not noticing his
puzzled expression. "We played 'Trying It On,' one Christmas, and I was
Mr. Tittlebat. I was so nervous, that I repeated stage-directions and
all. And such a time as I had to get a man's suit small enough!"
Her companion involuntarily glanced from his own figure to the tiny
maiden by his side. She understood the look, and burst into a gay laugh.
"Oh, dear! I should have been lost in your clothes," she cried. He
blushed as red as the big clover she had pinned in his buttonhole, and
modestly cast down his eyes.
"In that other, you know," she chattered on, "they wanted me to take
the part of Jane. That was after I had been Mr. Tittlebat, and I felt
insulted."
"Insulted? Why, because it wasn't a man's part?"
Public-domain text, read in full here on John Shaqi.
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