Courtship -- Fiction; Mate selection -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
The person ushered into the sitting-room was not wholly a stranger to
the family, and indeed by reputation they knew her well. She was an
aunt of Bathalina Clemens, and rejoiced in the somewhat remarkable
cognomen of Thomas Jefferson Gooch. Her grandfather being in his prime
an ardent partisan of that famous statesman, had made a rash vow that
his first grandchild should bear Jefferson's name. The first-born
grandchild proved to be a girl, but the determined old gentleman,
was no more to be restrained from the fulfilment of his vow than was
Jephtha. Thomas Jefferson was the infant christened, and as "Aunty
Jeff" she was now known to the whole neighborhood. She was a perfect
"roly-poly-pudding" of a woman, "her husband's sphere," Will Sanford
called her; but her activity was greater than that of her gauntest
neighbor, and she walked as briskly as if she'd an electric battery in
her back hair to keep her in motion. The corpulent little woman managed
herself and her relatives with a determination which there was no
evading. She dressed always in rusty black, and went about slipshod,
explaining that she was too fat to reach her feet and lace up boots.
To-day, having been to the funeral of the long death-defying Emma, her
attire was more striking than usual; her black bonnet being garnished
with the largest of red roses, and a magenta bow lighting up the
voluminous amplitude of her chins, which, like spice-boxes, came in
assorted sizes.
"Good-evenin', Mis' Sanford," Aunty Jeff burst out, plunging
porpoise-like at once into the room and the midst of her errand. "That
ungrateful Bathaliny Clemens hain't come home, has she? No, of course
she hain't; an' I knew it, the miserable hussy! She's been elopin' with
that all-fired Peter Mixon."
"Eloping!" her listeners cried in chorus.
"Yes, elopin'. I knew there was some kind of a gum-game up when I seed
her an' him comin' in together. The hussy brought him right into the
room with the mourners, and he looked at the remains as familiar and
easy-like as if he'd been one of the next relations. I tried to catch
Bathaliny's eye, but she wouldn't look at me. They couldn't walk to the
grave together, 'cause he wasn't called with the mourners. But when we
got there, and Parson Jones was a-prayin', I peeked through my fingers,
and I seed Peter was a-sneakin' round toward her,--the dispisable,
miser'ble wretch! An' when we was a-singin' the last hymn--we sung,
'Why do ye mourn, departed friends?'
Public-domain text, read in full here on John Shaqi.
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