These she laid carefully in a flat box, which she tied up into a neat
parcel. Then she put on her plainest cloth suit, and a small, dark hat,
and was ready to start.
"Nan," she said, looking in at the library door, "what time do you want
the motor?"
"Oh, about eleven or twelve. Keep it as long as you like."
"It's only ten now. I'll be back in less than an hour, I'm sure.
Good-by."
"Good-by," returned Nan. "Good luck to you!"
She thought Patty's scheme ridiculous, but harmless, for she knew the
girl well enough to know she wouldn't do anything that might lead her
into an unpleasant position; but she feared that her boundless enthusiasm
would urge her on beyond the bounds of her nervous strength.
Though soundly healthy, Patty was high-strung, and stopped at no amount
of exertion to attain a desired end. More than once this nervous energy
of hers had caused physical collapse, which was what Nan feared for her
now.
But Patty feared nothing for herself, and going out to the waiting
motor-car, she gave the chauffeur an address down in the lower part of
Broadway.
It was so unusual, that Miller hesitated a moment and then said,
deferentially: "This is 'way downtown, Miss Patty; are you sure the
number is right?"
"Yes; that's all right," she returned, smiling; "go ahead."
So he went ahead, and after a long ride southward, the car stopped in the
crowded mercantile portion of lower Broadway.
Patty got out, and looked a little apprehensively at the unfamiliar
surroundings. "Wait for me," she said to Miller, and then turned
determinedly to the door.
Yes, the number was right. There was the sign, "Monongahela Art
Embroidery Company," on the window. Patty opened the big door, and went
in.
She had fancied it would be like the shops to which she was accustomed,
where polite floor-walkers stepped up and asked her wishes, but it was
not at all like that.
It was more like a large warehouse. Partitions that rose only part way to
the ceiling divided off small rooms or departments, all of which were
piled high with boxes or crates. The aisles between these were narrow,
and the whole place was rather dark. Moreover, there seemed to be nobody
about.
Patty sat down in a chair and waited a few moments, but no one appeared,
so she got up again.
"Here's where I need my pluck," she said to herself, not frightened, but
wondering at the situation. "I'll go ahead, but I feel like Alice in
Wonderland. I know I'll fall into a treacle well."
She traversed half the length of the long building, when she saw a man,
writing in one of the small compartments.
He looked up at her, and then, apparently without interest in her
presence there, resumed his work.
Patty was a little annoyed at what she thought discourtesy, and said:
"I've come to answer your advertisement."
"Fourth floor," said the man, indicating the direction by pointing his
penholder across the room, but not looking up.
"Thank you," said Patty, in a tone intended to rebuke his own lack of
manners.
Public-domain text, read in full here on John Shaqi.
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