Paul Clifford — CompleteLytton, Edward Bulwer Lytton, Baron
General
Paul Clifford — Complete
Lytton, Edward Bulwer Lytton, Baron
Brigands and robbers -- Fiction
IT was not long before there was a visible improvement in the pages
of “The Asinaeum.” The slashing part of that incomparable journal
was suddenly conceived and carried on with a vigour and spirit which
astonished the hallowed few who contributed to its circulation. It
was not difficult to see that a new soldier had been enlisted in the
service; there was something so fresh and hearty about the abuse that it
could never have proceeded from the worn-out acerbity of an old slasher.
To be sure, a little ignorance of ordinary facts, and an innovating
method of applying words to meanings which they never were meant to
denote, were now and then distinguishable in the criticisms of the new
Achilles; nevertheless, it was easy to attribute these peculiarities
to an original turn of thinking; and the rise of the paper on the
appearance of a series of articles upon contemporary authors, written
by this “eminent hand,” was so remarkable that fifty copies--a number
perfectly unprecedented in the annals of “The Asinaeum”--were absolutely
sold in one week; indeed, remembering the principle on which it was
founded, one sturdy old writer declared that the journal would soon do
for itself and become popular. There was a remarkable peculiarity about
the literary debutant who signed himself “Nobilitas:” he not only put
old words to a new sense, but he used words which had never, among the
general run of writers, been used before. This was especially remarkable
in the application of hard names to authors. Once, in censuring a
popular writer for pleasing the public and thereby growing rich, the
“eminent hand” ended with “He who surreptitiously accumulates bustle
[money] is, in fact, nothing better than a buzz gloak!” [Pickpocket].
These enigmatical words and recondite phrases imparted a great air of
learning to the style of the new critic; and from the unintelligible
sublimity of his diction, it seemed doubtful whether he was a poet from
Highgate or a philosopher from Konigsberg. At all events, the reviewer
preserved his incognito, and while his praises were rung at no less
than three tea-tables, even glory appeared to him less delicious than
disguise.
Public-domain text, read in full here on John Shaqi.
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