Paul Clifford — Volume 01Lytton, Edward Bulwer Lytton, Baron
General
Paul Clifford — Volume 01
Lytton, Edward Bulwer Lytton, Baron
Brigands and robbers -- Fiction
IT was not long before there was a visible improvement in the pages of
"The Asinaeum." The slashing part of that incomparable journal was
suddenly conceived and carried on with a vigour and spirit which
astonished the hallowed few who contributed to its circulation. It was
not difficult to see that a new soldier had been enlisted in the service;
there was something so fresh and hearty about the abuse that it could
never have proceeded from the worn-out acerbity of an old _slasher_. To
be sure, a little ignorance of ordinary facts, and an innovating method
of applying words to meanings which they never were meant to denote, were
now and then distinguishable in the criticisms of the new Achilles;
nevertheless, it was easy to attribute these peculiarities to an original
turn of thinking; and the rise of the paper on the appearance of a series
of articles upon contemporary authors, written by this "eminent hand,"
was so remarkable that fifty copies--a number perfectly unprecedented in
the annals of "The Asinaeum"--were absolutely sold in one week; indeed,
remembering the principle on which it was founded, one sturdy old writer
declared that the journal would soon do for itself and become popular.
There was a remarkable peculiarity about the literary debutant who signed
himself "Nobilitas:" he not only put old words to a new sense, but he
used words which had never, among the general run of writers, been used
before. This was especially remarkable in the application of hard names
to authors. Once, in censuring a popular writer for pleasing the public
and thereby growing rich, the "eminent hand" ended with "He who
surreptitiously accumulates bustle [money] is, in fact, nothing better than a
buzz gloak!" [Pickpocket].
These enigmatical words and recondite phrases imparted a great air of
learning to the style of the new critic; and from the unintelligible
sublimity of his diction, it seemed doubtful whether he was a poet from
Highgate or a philosopher from Konigsberg. At all events, the reviewer
preserved his incognito, and while his praises were rung at no less than
three tea-tables, even glory appeared to him less delicious than
disguise.
Public-domain text, read in full here on John Shaqi.
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