Our leading lady was a handsome but coarse woman, somewhat
over-developed. Starting life as a music-hall singer, she had married
a small tradesman in the south of London. Some three or four years
previous, her Juno-like charms had turned the head of a youthful
novelist--a refined, sensitive man, of whom great things in literature
had been expected, and, judging from his earlier work, not unreasonably.
He had run away with her, and eventually married her; the scandal was
still fresh. Already she had repented of her bargain. These women regard
their infatuated lovers merely as steps in the social ladder, and he
had failed to appreciably advance her. Under her demoralising spell his
ambition had died in him. He no longer wrote, no longer took interest
in anything beyond his own debasement. He was with us in the company,
playing small parts, and playing them badly; he would have remained with
us as bill-poster rather than have been sent away.
Vane planned to bring this woman and myself together. To her he pictured
me a young gentleman of means, a coming author, who would soon be
earning an income sufficient to keep her in every luxury. To me he
hinted that she had fallen in love with me. I was never attracted to
her by any feeling stronger than the admiration with which one views a
handsome animal. It was my vanity upon which he worked. He envied me;
any man would envy me; experience of life was what I needed to complete
my genius. The great intellects of this earth must learn all lessons,
even at the cost of suffering to themselves and others.
As years before I had laboured to acquire a liking for cigars and
whiskey, deeming it an accomplishment necessary to a literary career, so
painstakingly I now applied myself to the cultivation of a pretty taste
in passion. According to the literature, fictional and historical, Vane
was kind enough to supply me with, men of note were invariably sad dogs.
That my temperament was not that of the sad dog, that I lacked instinct
and inclination for the part, appeared to this young idiot of whom I am
writing in the light of a defect. That her languishing glances irritated
rather than maddened me, that the occasional covert pressure of her hot,
thick hand left me cold, I felt a reproach to my manhood. I would fall
in love with her. Surely my blood was red like other men's. Besides, was
I not an artist, and was not profligacy the hall-mark of the artist?
But one grows tired of the confessional. Fate saved me from playing
the part Vane had assigned me in this vulgar comedy, dragged me from my
entanglement, flung me on my feet again. She was a little brusque in the
process; but I do not feel inclined to blame the kind lady for that. The
mud was creeping upward fast, and a quick hand must needs be rough.
Public-domain text, read in full here on John Shaqi.
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