Conduct of life -- Fiction; New York (N.Y.) -- History -- 19th century -- Fiction; Orphans -- Fiction; Runaway teenagers -- Fiction
About half a mile from the village in the bleakest and most desolate
part of the town, stood the Poor House. It was a crazy old building of
extreme antiquity, which, being no longer considered fit for an ordinary
dwelling-house, had been selected as a suitable residence for the town's
poor. It was bleak and comfortless to be sure, but on that very account
had been purchased at a trifling expense, and that was, of course, a
primary consideration. Connected with the house were some dozen acres of
rough-looking land, plentifully overspread with stones, which might have
filled with despair the most enterprising agriculturist. However, it had
this recommendation at least, that it was quite in character with the
buildings upon it, which in addition to the house already described,
consisted of a barn of equal antiquity and a pig pen.
This magnificent domain was under the superintendence of Mr. Nicholas
Mudge, who in consideration of taking charge of the town paupers had
the use of the farm and buildings, rent free, together with a stipulated
weekly sum for each of the inmates.
“Well, Paul,” said Mr. Mudge, as they approached the house, in a tone
which was meant to be encouraging, “this is goin' to be your home. How
do you like it?”
Thus addressed, Paul ventured a glance around him.
“I don't know,” said he, doubtfully; “it don't look very pleasant.”
“Don't look very pleasant!” repeated Mr. Mudge in a tone of mingled
amazement and indignation. “Well, there's gratitude for you. After the
town has been at the expense of providin' a nice, comfortable home for
you, because you haven't got any of your own, you must turn up your nose
at it.”
“I didn't mean to complain,” said Paul, feeling very little interest in
the matter.
“Perhaps you expected to live in a marble palace,” pursued Mr. Mudge, in
an injured tone. “We don't have any marble palaces in this neighborhood,
we don't.”
Paul disclaimed any such anticipation.
Mr. Mudge deigned to accept Paul's apology, and as they had now reached
the door, unceremoniously threw it open, and led the way into a room
with floor unpainted, which, to judge from its appearance, was used as a
kitchen.
IV.
LIFE IN A NEW PHASE.
Everything was “at sixes and sevens,” as the saying is, in the room Mr.
Mudge and Paul had just entered. In the midst of the scene was a large
stout woman, in a faded calico dress, and sleeves rolled up, working as
if her life or the world's destiny depended upon it.
It was evident from the first words of Mr. Mudge that this lady was his
helpmeet.
“Well, wife,” he said, “I've brought you another boarder. You must try
to make him as happy and contented as the rest of 'em are.”
From the tone of the speaker, the last words might be understood to be
jocular.
Mrs. Mudge, whose style of beauty was not improved by a decided squint,
fixed a scrutinizing gaze upon Paul, and he quite naturally returned it.
“Haven't you ever seen anybody before, boy? I guess you'll know me next
time.”
Public-domain text, read in full here on John Shaqi.
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