Verlaine, Paul, 1844-1896 -- Criticism and interpretation
Much has been said and written as to whether happiness or unhappiness
was the result of the pilgrimage. It is an unimportant and idle
question, because "happiness" is only a word, an unfilled cup in strange
hands, and an empty tinkling thing. At any rate, life cut more deeply
into his flesh than into that of any other poet of our time. So tightly
and pitilessly was his soul wound about that nothing was kept silent,
and it bled to death with sighs, rejoicings, and cries. A destiny which
has accomplished such marvels may be rebuked as cruel. But we in whom
these pains re-echo in sweet shudderings--for us, it is fitting that we
should feel gratitude.
CONCERNING "POOR LELIAN"[1]
[1] In French _Pauvre Lelian_, an anagram of Paul Verlaine, which
Verlaine often used when speaking of himself.
Whenever Verlaine speaks of his childhood, there is a gleam like a
bittersweet smile. This hesitant, plaintive rhythm appears ever, and
ever again, whether in sorrow, musing sigh, or plaintive reproach. It
appears in the tender and so infinitely sad lines which he wrote in
prison, and likewise in the _Confessions_, a vain, exaggeratedly candid
and coquetting portrait in prose. Gentle memories, fresh and tender like
white roses, creep loosely through all his work, scattering pious
fragrance. For him childhood was paradise, because his poor weak soul,
needing the tenderness of faithful hands, had not yet experienced the
hard impacts of life, but only the soft intimate cradling between
devoted love and womanly mildness--a lulling, sweet unforgettable
melody.
All impulses are still pure and bud-like. Love is unsullied, sheer
instinct, entirely without desire and restlessness. It is silence,
peaceful silence, cool longing which assuages, and so all of life is
kind and large, maternal and womanly--soft. Everything shines in a
clear, transparent, shimmering light like a landscape at daybreak. Even
late, very late, when his poor life had already become barren and
over-clouded, this yearning still rises and trembles toward these days
of youth like a white dove. The "_guote suendaere_" still had tears to
give. Gleaming pure like dew drops, and still fresh, they cling to the
most fantastic and wildest blooms.
The first dates tell little. Paul Marie Verlaine was born in 1844 at
Metz--he did not remember his second name until the appropriate time of
his conversion. His father was a captain in the French engineer corps.
Verlaine, however, was not of Alsatian extraction but belonged to
Lorraine, close enough to Germany to bear in his blood the secret
fructification of the German _Lied_. Early in his life the family
removed to Paris, where the attractive boy with inquisitive, soft face
(as is shown on an early photograph) soon turns into a _gosse_ and
finally into a government official with skillful literary talents.
Public-domain text, read in full here on John Shaqi.
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