PAULA MONTI:
OR,
THE HÔTEL LAMBERT.
BY
M. EUGÈNE SUE
_From the French_
BY
THE TRANSLATOR OF THE "MYSTERIES OF PARIS," AND THE
"WANDERING JEW."
WITH TWENTY ENGRAVINGS,
UNDER THE SUPERINTENDENCE OF MR. CHARLES HEATH,
_FROM DESIGNS BY JULES DAVID._
LONDON:
CHAPMAN AND HALL, 186 STRAND
1845
CONTENTS
CHAPTER
I. THE OPERA-BALL
II. A RENDEZVOUS
III. THE DOMINO
IV. PAULA MONTI
V. THE EXPLANATION
VI. M. DE BRÉVANNES
VII. MADAME DE BRÉVANNES
VIII. THE RETURN
IX. THE RECITAL
X. THE PRINCE DE HANSFELD
XI. THE FATHER AND DAUGHTER
XII. THE FATHER-IN-LAW AND SON-IN-LAW
XIII. A FIRST REPRESENTATION
XIV. DRESS CIRCLE.--BOX NO. 7
XV. DRESS CIRCLE.--BOX NO. 29
XVI. FRIENDS IN THE STALLS
XVII. BETWEEN THE ACTS.--BOX NUMBER VII
XVIII. AFTER THE PLAY
XIX. THE "POSTE RESTANTE."
XX. THE EMISSARY
XXI. THE INTERVIEW
XXII. THE MEETING
XXIII. UNHAPPINESS
XXIV. DISCOVERY
XXV. ANGUISH
XXVI. THE BLACK BOOK
XXVII. DETACHED THOUGHTS
XXVIIII. ARNOLD AND BERTHA
XXIX. INTIMACY
XXX. RECITAL
XXXI. THREATS
XXXII. REFLECTIONS
XXXIII. THE INTERROGATORY
XXXIV. REVELATIONS
XXXV. CONFESSIONS
XXXVI. THE RENDEZVOUS
XXXVII. PROPOSITION
XXXVIII. CORRESPONDENCE
XXXIX. THE MARRIAGE
XL. THE BLACK BOOK
XLI. A CONVERSATION
XLII. RESOLUTION
XLIII. THE PIN
XLIV. DECISION
XLV. WILD-FOWL SHOOTING
XLVI. THE CHÂTEAU DE BRÉVANNES
XLVII. THE CHÂLET
XLVIII. THE DOUBLE MURDER
XLIX. EXPLANATIONS
PAULA MONTI
CHAPTER I
THE OPERA-BALL
In 1837 the Opera-ball in Paris was not as yet entirely invaded by that
mob of wild and crazed dancers, _chicards_[1] and _chicandards_ (as they
style themselves), who, in the present day, have almost entirely driven
from these assemblies the old traditions for mystification, and that
tone of good society which did not detract from the piquancy of
adventure.
Then, as now, the fashionables of the day congregated around a large
chest, placed in the corridor of the first circle of boxes, between the
two doors of the Opera "crush-room."
The privileged made a seat of this chest, and frequently shared it with
certain sprightly dominoes, who were not always of the _haut ton_, but
who knew it well enough by hearsay to be able to chatter scandal as
fluently as the most scandalous.
At the last ball in the month of January 1837, about two o'clock in the
morning, a tolerably large party of men were collected round a female in
a domino, seated on the chest to which we have alluded.
Loud bursts of laughter hailed the sallies of this lady. She was not
deficient in wit, but certain vulgar expressions, and the manner of
_tutoiement_ which she employed, proved that she did not appertain to
the leading circles; although she appeared perfectly well informed as to
all that passed in the highest and most exclusive society.
They were still laughing at one of the last smart comments of this
domino, when, looking towards a young man who was passing through the
corridor with great haste to enter the "crush-room," this female said,--
Public-domain text, read in full here on John Shaqi.
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