Beneath the outer garment so rudely treated, the princess wore a black
robe, with short sleeves, thus revealing arms, shoulders, and bust,
worthy of the classic beauty of a Diana. Her countenance, so proud,
chill, and imperturbable, while conversing with M. de Morville, was now
agitated by a whirlwind of the most stormy passions. Her somewhat hollow
eyes glittered like dark diamonds. Standing erect before the large glass
which surmounted the chimney-piece, she appeared as though desirous of
crushing the marble mantel-piece with the convulsive pressure of her
clenched hands. Wholly absorbed by the stormy passions which raged
within her, she perceived not the return of her companion. And a more
singular person could not be seen. A deep brown, resembling the hue of
Florentine bronze, tinged her colourless cheek, and displayed more
strikingly the pearly whiteness of the eyeball with the clear blue of
the pupil; her thick chestnut hair was cut short, curled, and parted on
the forehead, after the fashion of many of the male sex, who in the
present day wear their hair of an almost feminine length. Her
well-formed and regular features had an undaunted and almost masculine
expression, and when she unclosed her red thin lips, she displayed a set
of teeth, white enough, indeed, to have disarmed all criticism, but
standing at wide distances from each other.
This singular female was nearly as tall as Madame de Hansfeld, but
considerably thinner. She wore a high dress of black silk, with a small
handkerchief of the same material tied around her throat, to confine her
closely plaited collar.
Dressed in a large flapped hat, and wrapped in a cloak, the female we
are describing might easily pass for one of the opposite sex, and as
such accompany Madame de Hansfeld, who feared to return alone during the
night, in so lonely a place, and almost entirely at the mercy of a
coachman.
During the interview at the Opera-ball, the young girl had awaited the
princess in a _fiacre_, and afterwards accompanied her home.
Perceiving the deep reverie into which Madame de Hansfeld had fallen,
she said,--
"Godmother, it is very late, you must go to bed."
"I have seen him!" exclaimed the princess, impetuously. "He may be my
ruin!" continued she, turning with flashing eyes towards her
god-daughter (whom we shall style Iris, entreating the reader's pardon
for this little mythological fancy).
"Whom have you seen, godmother?" inquired the girl, terrified at the
wildness and desperation of Madame de Hansfeld's manner.
"Charles de Brévannes!"
"He here?"
"I tell you I saw him--just now--at the opera! oh, it was he too surely!
and as surely does the presence of this man portend some fresh
misfortune to me."
"I do not know this man, godmother, or why you hate him so inveterately;
but I, too, hate him with my bitterest scorn, because you have already
told me that he formerly occasioned you great sorrow."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account