“Pauline, I cannot understand you! For three weeks we hurried east and
west to find this man, yet when found you shun him and seem content to
make my life a heaven upon earth. I sometimes fancy that you have
resolved to let the past sleep, but the hope dies as soon as born, for
in moments like this I see that, though you devote yourself to me, the
old purpose is unchanged, and I marvel why you pause.”
Her eyes came back from their long gaze and settled on him full of an
intelligence which deepened his perplexity. “You have not learned to
know me yet; death is not more inexorable or time more tireless than I.
This week has seemed one of indolent delight to you. To me it has been
one of constant vigilance and labor, for scarcely a look, act, or word
of mine has been without effect. At first I secluded myself that Gilbert
might contrast our life with his and, believing us all and all to one
another, find impotent regret his daily portion. Three days ago accident
placed an unexpected weapon in my hand which I have used in silence,
lest in spite of promises you should rebel and end his trial too soon.
Have you no suspicion of my meaning?”
“None. You are more mysterious than ever, and I shall, in truth, believe
you are the enchantress I have so often called you if your spells work
invisibly.”
“They do not, and I use no supernatural arts, as I will prove to you.
Take my lorgnette that lies behind you, part the leaves where the green
grapes hang thickest, look up at the little window in the shadowy angle
of the low roof opposite, and tell me what you see.”
“Nothing but a half-drawn curtain.”
“Ah! I must try the ruse that first convinced me. Do not show yourself,
but watch, and if you speak, let it be in Spanish.”
Leaving her airy cradle, Pauline bent over the balcony as if to gather
the climbing roses that waved their ruddy clusters in the wind. Before
the third stem was broken Manuel whispered, “I see the curtain move; now
comes the outline of a head, and now a hand, with some bright object in
it. Santo Pablo! It is a man staring at you as coolly as if you were a
lady in a balcony. What prying rascal is it?”
“Gilbert.”
“Impossible! He is a gentleman.”
“If gentlemen play the traitor and the spy, then he is one. I am not
mistaken; for since the glitter of his glass first arrested me I have
watched covertly, and several trials as successful as the present have
confirmed the suspicion which Babie's innocent complaints of his long
absences aroused. Now do you comprehend why I remained in these rooms
with the curtains seldom drawn? Why I swung the hammock here and let you
sing and read to me while I played with your hair or leaned upon your
shoulder? Why I have been all devotion and made this balcony a little
stage for the performance of our version of the honeymoon for one
spectator?”
Public-domain text, read in full here on John Shaqi.
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