Pausanias' description of Greece, Volume I.Pausanias, active approximately 150-175
History
Pausanias' description of Greece, Volume I.
Pausanias, active approximately 150-175
Greece -- Antiquities; Greece -- Description and travel -- Early works to 1800
And not far from that of Orthian Artemis is the temple of Ilithyia:
this temple they say was built, and Ilithyia accounted a goddess,
in obedience to the oracle at Delphi. And the Lacedæmonians have no
citadel rising to a notable height, as the Cadmea at Thebes, or Larissa
among the Argives: but as there are several hills in the city the
highest of these is called the citadel. Here is erected a temple of
Athene called Poliuchus and Chalciœcus. And this temple began to be
built they say by Tyndareus: and after his death his sons wished to
finish the building, and they had an opportunity in the spoils from
Aphidna. But as they too died before the conclusion of the work, the
Lacedæmonians many years afterwards completed the temple, and made a
statue of Athene in brass. And the artificer was Gitiadas a native
of Sparta, who also composed Doric poems and a hymn to the goddess.
Many too of the Labours of Hercules are delineated in brass, and many
of his successes on his own account, and several of the actions of
Castor and Pollux, and their carrying off the daughters of Leucippus,
and Hephæstus freeing his mother from her bonds. I have given an
explanation of all these before, and the legends about them, in my
account of Attica. There too are the Nymphs giving Perseus, as he is
starting for Libya and Medusa, the invisible cap, and the sandals with
which he could fly through the air. There too are representations of
the birth of Athene, and of Amphitrite, and Poseidon, which are the
largest and as it seems to me finest works of art.
There is also another temple there of Athene the Worker. At the South
Porch there is also a temple of Zeus called the Arranger, and the tomb
of Tyndareus in front of it. And the West Porch has two Eagles and two
Victories to correspond, the votive offering of Lysander, and a record
of his two famous exploits, the one near Ephesus when he defeated
Antiochus, the pilot of Alcibiades, and the Athenian gallies, and
the other at Ægos-potamoi where he crushed the Athenian navy. And at
the left of Athene Chalciœcus they have built a temple of the Muses,
because the Lacedæmonians do not go out to battle to the sound of the
trumpet, but to the music of flutes and lyre and harp. And behind
Athene Chalciœcus is the temple of Martial Aphrodite. Her wooden
statues are as old as any among the Greeks.
And on the right of Athene Chalciœcus is a statue of Supreme Zeus,
the most ancient of all brass statues, for it is not carved in one
piece, but forged piece by piece and deftly welded together, and studs
keep it together from falling to pieces. The artificer was they say
Clearchus a man of Rhegium, who some say was the pupil of Dipœnus and
Scyllis, others say of Dædalus. And at what is called the _Scenoma_
there is a figure of a woman, the Lacedæmonians say it is Euryleonis,
who won the prize at Olympia with a pair of horses.
Public-domain text, read in full here on John Shaqi.
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