Pausanias' description of Greece, Volume I.Pausanias, active approximately 150-175
History
Pausanias' description of Greece, Volume I.
Pausanias, active approximately 150-175
Greece -- Antiquities; Greece -- Description and travel -- Early works to 1800
The wood of the white poplar tree is the only wood that the people of
Elis employ in the sacrifices of Zeus, giving that tree this especial
honour, I imagine, because Hercules introduced it from Thesprotia into
Greece. And I think there can be little doubt that Hercules himself,
when he sacrificed to Zeus at Olympia, burnt the thighs of the victims
on white poplar wood. Hercules found this tree growing near the Acheron
a river in Thesprotia, and that is why they say it is called Acherois
by Homer.[71] In all ages rivers have been celebrated for the growth
of various grasses and trees on their banks. Thus the Mæander is most
famous for tamarisks, and the Asopus in Bœotia for immense reeds, and
the Persea is found only on the banks of the Nile. Thus there is no
wonder that by the Acheron first grew the white poplar, and that the
wild olive grows near the Alpheus, and that the black poplar grows on
Celtic soil by the river Eridanus.
Let us now, as we have made mention of the greatest altar, enumerate
all the altars at Olympia. I will take them in the order the people
of Elis are accustomed to sacrifice at them. They first sacrifice
to Vesta, and next to Olympian Zeus in the altar inside the temple,
thirdly to Hermes, fourthly to Artemis, fifthly to Athene the Goddess
of Booty, sixthly to Athene Ergane. To this Athene the descendants of
Phidias, (called the cleansers because they received from the people of
Elis the honour of cleansing the statue of Zeus from anything clinging
to it), sacrifice before they commence polishing up the statue. And
there is also another altar of Athene near the temple, and near it a
square altar of Artemis tapering up gradually at the top. And next to
those we have mentioned they sacrifice to Alpheus and Artemis at one
altar: the reason for this I learnt from one of Pindar’s Odes, and I
have recorded it in my account of the Letrinæans.[72] And at no great
distance from this is another altar to Alpheus, and near it an altar to
Hephæstus, which some of the people of Elis say is the altar of Martial
Zeus, at which Œnomaus sacrificed when he proposed the horse-race for
the suitors of his daughter Hippodamia. Next is an altar of Hercules
under the title of Aider, and altars to Hercules’ brothers, Epimedes
and Idas and Pæonæus and Iasus. I know that the altar of Idas is called
the altar of Acesidas by some. And at the ruins of the house of Œnomaus
are two altars, one of Household Zeus, built apparently by Œnomaus, the
other built afterwards I think to Zeus of the Lightning, when lightning
had struck the house. With reference to the great altar, called the
altar of Olympian Zeus, I have already spoken a little above. And near
it is the altar to Unknown Gods, and next that of Zeus the Cleanser,
and Victory, and next that of Zeus Chthonius. There are also altars
of all the gods, and one of Olympian Hera also made of _débris_, the
votive offering they say of Clymenus. And next to it is a joint altar
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