Pausanias' description of Greece, Volume I.Pausanias, active approximately 150-175
History
Pausanias' description of Greece, Volume I.
Pausanias, active approximately 150-175
Greece -- Antiquities; Greece -- Description and travel -- Early works to 1800
And near the sea is a temple erected to Aphrodite by
Conon, after his victory over the Lacedæmonian fleet off Cnidus in the
peninsula of Caria. For Aphrodite is the tutelary saint of the men of
Cnidus, and they have several temples of the goddess; the most ancient
celebrates her as Doritis, the next in date as Acræa, and latest of
all that which everybody else calls Athene of Cnidus, but the Cnidians
themselves call it Athene of the Fair Voyage.
The Athenians have also another harbour at Munychia, and a temple
of Artemis of Munychia, and another at Phalerum, as has been stated
by me before, and near it a temple of Demeter. Here too is a temple
of Sciradian Athene, and of Zeus at a little distance, and altars of
gods called unknown, and of heroes, and of the children of Theseus and
Phalerus; for this Phalerus, the Athenians say, sailed with Jason to
Colchis. There is also an altar of Androgeos the son of Minos, though
it is only called altar of a hero, but those who take pains to know
more accurately than others their country’s antiquities are well aware
that it is the altar of Androgeos. And twenty stades[2] further is
the promontory Colias; when the fleet of the Persians was destroyed
the tide dashed the wrecks against it. There is here also a statue of
Aphrodite of Colias and the goddesses who are called Genetyllides.
I am of opinion that the Phocian goddesses in Ionia, that they call
by the name of Gennaides, are the same as these at Colias called
Genetyllides. And there is on the road to Athens from Phalerum a temple
of Hera without doors or roof; they say that Mardonius, the son of
Gobryas, burnt it. But the statue there now is (as they say) the work
of Alcamenes; this, indeed, the Persian cannot have touched.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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