“I do,” said John Bruce grimly. “Claire is right. It isn't safe for me
to stay here, and I'll go to-night. If only Hawkins hadn't----” He
laughed a little harshly. “But I'll go to-night, just the same. A taxi
will do quite as well.”
CHAPTER THIRTEEN--TRAPPINGS OF TINSEL
|UNDER the shaded light on his table, in his private sitting room in
the Bayne-Miloy Hotel, John Bruce had been writing steadily for half an
hour--but the sheets of paper over which his pen had traveled freely and
swiftly were virgin white. He paused now, remained a moment in thought,
and then added a line to the last sheet. No mark was left, but from the
movement of the pen this appeared to be a signature.
He gathered the sheets together, folded them neatly, and slipped them
into an envelope. He replaced the cap on the fountain pen he had been
using, placed the pen in his vest pocket, and from another pocket took
out another pen that was apparently identical with the first. With
this second pen, in black ink, he addressed the envelope to one Gilbert
Larmon in San Francisco. He sealed the envelope, stamped it, put it in
his pocket, returned the second fountain pen to his vest pocket, lighted
a cigarette leaned back in his chair, and frowned at the ascending
spirals of smoke from the cigarette's tip.
The report which he had just written to Larmon, explaining his inaction
during the past weeks, had been an effort--not physical, but mental. He
had somehow, curiously, felt no personal regret for the enforced absence
from his “work,” and he now felt no enthusiasm at the prospect of
resuming it. He had had no right to tinge or color his letter to Larmon
with these views; nor had he intended to do so. Perhaps he had not;
perhaps he had. He did not know. The ink originated by the old Samoan
Islander had its disadvantages as well as its advantages. He could not
now read the letter over once it was written!
He flicked the ash irritably from his cigarette. He had been back here
in the hotel now for two days and that feeling had been constantly
growing upon him. Why? He did not know except that the cause seemed to
insist on associating itself with his recent illness, his life in the
one-time pawn-shop of Paul Veniza. But, logically, that did not hold
water. Why should it? He had met a pawnbroker who roamed the streets at
night in a fantastic motor car, driven by a drunkard; and he had fallen
in love with a girl who was glad she was going to marry a dope-eating
criminal. Good God, it was a spectacle to make----
Public-domain text, read in full here on John Shaqi.
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