Pearl-Fishing; Choice Stories from Dickens' Household Words; First SeriesDickens, Charles
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Pearl-Fishing; Choice Stories from Dickens' Household Words; First Series
Dickens, Charles
English fiction -- 19th century; Short stories, English
Though Anielka’s ambition was fired, her heart was softened, and she
wept violently.
Five months had scarcely elapsed when a _furore_ was created in Vienna
by the first appearance, at the Italian Opera, of the Signora Giovanna.
Her enormous salary at once afforded her the means of even extravagant
expenditure. Her haughty treatment of male admirers only attracted new
ones; but in the midst of her triumphs, she thought often of the time
when the poor orphan of Pobereze was cared for by nobody. This
remembrance made her receive the flatteries of the crowd with an
ironical smile; their fine speeches fell coldly on her ear, their
eloquent looks made no impression on her heart: _that_, no change could
alter, no temptation win.
In the flood of unexpected success a new misfortune overwhelmed her.
Since their arrival at Vienna, Teresina’s health rapidly declined, and
in the sixth month of Anielka’s operatic reign she expired, leaving all
her wealth, which was considerable, to her friend.
Once more Anielka was alone in the world. Despite all the honors and
blandishments of her position, the old feeling of desolateness came
upon her. The new shock destroyed her health. She was unable to appear
on the stage. To sing was a painful effort; she grew indifferent to what
passed around her. Her greatest consolation was in succoring the poor
and friendless, and her generosity was most conspicuous to all young
orphan girls without fortune. She had never ceased to love her native
land, and seldom appeared in society, unless it was to meet her
countrymen. If ever she sang, it was in Polish.
A year had elapsed since the death of the Signora Teresina when the
Count Selka, a rich noble of Volkynia, at that time in Vienna, solicited
her presence at a party. It was impossible to refuse the Count and his
lady, from whom she had received great kindness. She went. When in their
saloons, filled with all the fashion and aristocracy in Vienna, the name
of Giovanna was announced, a general murmur was heard. She entered, pale
and languid, and proceeded between the two rows made for her by the
admiring assembly, to the seat of honor, beside the mistress of the
house.
Shortly after, the Count Selka led her to the piano. She sat down before
it, and thinking what she should sing, glanced round upon the assembly.
She could not help feeling that the admiration which beamed from the
faces around her was the work of her own merit, for had she neglected
the great gift of nature, her voice, she could not have excited it. With
a blushing cheek, and eyes sparkling with honest pride, she struck the
piano with a firm hand, and from her seemingly weak and delicate chest
poured forth a touching Polish melody, with a voice pure, sonorous, and
plaintive. Tears were in many eyes, and the beating of every heart was
quickened.
Public-domain text, read in full here on John Shaqi.
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