Pearl-Fishing; Choice Stories from Dickens' Household Words; First SeriesDickens, Charles
General
Pearl-Fishing; Choice Stories from Dickens' Household Words; First Series
Dickens, Charles
English fiction -- 19th century; Short stories, English
There are few ceremonies in life at once so touching, so impressive, so
sad, and yet so beautiful, as a soldier’s funeral! Ordinary funerals
with their unwieldy hearses and feathers, and the absurd looking mutes,
and the “inky cloaks” and weepers of hired mourners, always seem to me
like a mockery of the dead; the appointments border so closely on the
grotesque; they are so little in keeping with the true, the only view of
death that can render life endurable! There is such a tone of
exaggerated, forced, heavy, over-acted gravity about the whole thing,
that one had need to have a deep personal interest involved in the
scene, to be able to shut one’s eyes to the burlesque side of it. But a
military funeral, how different! There you see death in life and life in
death! There is nothing over-strained, nothing overdone. At once simple
and silent, decent and decorous, consoling, yet sad. The chief mourners,
at best, are generally true mourners, for they have lost a brother with
whom “they sat but yesterday at meat;” and whilst they are comparing
memories, recalling how merry they had many a day been together, and
the solemn tones of that sublime music float upon the air, we can
imagine the freed and satisfied soul wafted on those harmonious
breathings to its Heavenly home; and our hearts are melted, our
imaginations exalted, our faith invigorated, and we come away the better
for what we have seen.
I believe some such reflections as these were passing through our minds,
for we both remained silent and listening, till the swinging-to of the
little wicket, which communicated with the garden, aroused us; but
nobody appeared, and the tower being at the moment betwixt us and it, we
could not see who had entered. Almost at the same moment, a man came
from a gate on the opposite side, and advancing to where the earth was
thrown up, lifted the plank, and discovered the newly-made grave. He was
soon followed by some boys, and several respectable-looking persons came
into the enclosure, whilst nearer and nearer drew the sound of the
muffled drums, and now we descried the firing party and their officer,
who led the procession with their arms reversed, each man wearing above
the elbow a piece of black crape and a small bow of white satin ribbon;
the band still playing that solemn strain. Then came the coffin, borne
by six soldiers. Six officers bore up the pall, all quite young men; and
on the coffin lay the shako, sword, side-belt, and white gloves of the
deceased. A long train of mourners marched two and two, in open file,
the privates first, the officers last. Sorrow was imprinted on every
face; there was no unseemly chattering, no wandering eyes; if a word was
exchanged, it was in a whisper, and the sad shake of the head showed of
whom they were discoursing. All this we observed as they marched through
the lane that skirted one side of the churchyard. As they neared the
gate the band ceased to play.
Public-domain text, read in full here on John Shaqi.
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