Pearl-Fishing; Choice Stories from Dickens' Household Words; Second SeriesDickens, Charles
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Pearl-Fishing; Choice Stories from Dickens' Household Words; Second Series
Dickens, Charles
English fiction -- 19th century; Short stories, English
The poor woman was silent, leaning her head down on her slumbering
child, and crying to herself; and thus they drove on, through many long
and narrow streets, with gas flaring from the shops, but with few people
in the streets, and these hurrying shivering along the payment, so
intense was the cold. Anon they stopped at a large pair of gates; the
manufacturer rung a bell, which he could reach from his gig, and the
gates presently were flung open, and they drove into a spacious yard,
with a large handsome house, having a bright lamp burning before it, on
one side of the yard, and tall warehouses on the other.
“Show this poor woman and her child to Mrs. Craddock’s, James,” said Mr.
Spires, “and tell Mrs. Craddock to make them very comfortable; and if
you will come to my warehouse to-morrow,” added he, addressing the poor
woman, “perhaps I can be of some use to you.”
The poor woman poured out her heartfelt thanks, and following the old
man servant, soon disappeared, hobbling over the pebbly pavement with
her living load, stiffened almost to stone by her fatigue and her cold
ride.
We must not pursue too minutely our narrative. Mrs. Deg was engaged to
do the washing and getting up of Mr. Spire’s linen, and the manner in
which she executed her task insured her recommendations to all their
friends. Mrs. Deg was at once in full employ. She occupied a neat house
in a yard near the meadows below the town, and in those meadows she
might be seen spreading out her clothes to whiten on the grass, attended
by her stout little boy. In the same yard lived a shoemaker, who had two
or three children of about the same age as Mrs. Deg’s child. The
children, as time went on, became play-fellows. Little Simon might be
said to have the free run of the shoemaker’s house, and he was the more
attracted thither by the shoemaker’s birds, and by his flute, on which
he often played after his work was done.
Public-domain text, read in full here on John Shaqi.
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