Pearl-Maiden: A Tale of the Fall of JerusalemHaggard, H. Rider (Henry Rider)
History
Pearl-Maiden: A Tale of the Fall of Jerusalem
Haggard, H. Rider (Henry Rider)
Historical fiction; Jerusalem -- History -- Fiction
“As it was I found favour in the sight of my uncle Caius, who a week
after my arrival executed a formal testament leaving to me all his
land, goods, and moneys, which on his death three months later I
inherited. Thus I have become rich—so rich that now, having much money
to spend, by some perversity which I cannot explain, I have grown
careful and spend as little as possible. After I had entered into my
inheritance I made a plan to return to Judæa, for one reason and one
alone—to be near to you, most sweet Miriam. At the last moment I was
stayed by a very evil chance. That bust which you made of me I had
managed to save from the shipwreck and bring safe to Rome—now I wish it
was at the bottom of the sea, and you shall learn why.
“When I came into possession of this house in the Via Agrippa, which is
large and beautiful, I set it in a place of honour in the antechamber
and summoned that sculptor, Glaucus, of whom I have spoken to you, and
others who follow the art, to come and pass judgment upon the work.
They came, they wondered and they were silent, for each of them feared
lest in praising it he should exalt some rival. When, however, I told
them that it was the work of a lady in Judæa, although they did not
believe me, since all of them declared that no woman had shaped that
marble, knowing that they had nothing to fear from so distant an artist
whoever he might be, they began to praise the work with one voice, and
all that evening until the wine overcame them, talked of nothing else.
Also they continued talking on the morrow, until at length the fame of
the thing came to the ears of Nero, who also is an artist of music and
other things. The end of it was that one day, without warning, the
Emperor visited my house and demanded to see the bust, which I showed
to him. For many minutes he examined it through the emerald with which
he aids his sight, then asked:
“‘What land had the honour to bear the genius who wrought this work?’
“I answered, ‘Judæa,’ a country, by the way, of which he seemed to know
little, except that some fanatics dwelt there, who refused to worship
him. He said that he would make that artist ruler of Judæa. I replied
that the artist was a woman, whereon he answered that he cared
nothing—she should still rule Judæa, or if this could not be managed he
would send and bring her to Rome to make a statue of him to be set up
in the Temple at Jerusalem for the Jews to worship.
Public-domain text, read in full here on John Shaqi.
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