Pearl-Maiden: A Tale of the Fall of JerusalemHaggard, H. Rider (Henry Rider)
History
Pearl-Maiden: A Tale of the Fall of Jerusalem
Haggard, H. Rider (Henry Rider)
Historical fiction; Jerusalem -- History -- Fiction
“Now I saw that I had been foolish, and knowing well what would have
been your fate, my Miriam, had he once set eyes on you, I sighed and
answered, that alas! it was impossible, since you were dead, as I
proved to him by a long story with which I will not trouble you.
Moreover, now that he was sure that you were dead, I showed him the
little statuette of yourself looking into water, which you gave me.
Whereon he burst into tears, at the thought that such an one had
departed from the earth, while it was still cursed with so many who are
wicked, old and ugly.
“Still he did not go, but remained admiring the bust, till at length
one of his favourites who accompanied him, whispered in my ear that I
must present it to the Emperor. I refused, whereon he whispered back
that if I did not, assuredly before long it would be taken, and with it
all my other goods, and, perhaps, my life. So, since I must, I changed
my mind and prayed him to accept it; whereon he embraced, first the
marble and then me, and caused it to be borne away then and there,
leaving me mad with rage.
“Now I tell you all this silly story for a reason, since it has
hindered and still hinders me from leaving Rome. Thus: two days later I
received an Imperial decree, in which it was stated that the
incomparable work of art brought from Judæa by Marcus, the son of
Emilius, had been set up in a certain temple, where those who would
please their Emperor were desired to present themselves and worship it
and the soul of her by whom it was fashioned. Moreover, it was
commanded that I, Marcus, whose features had served as a model for the
work, should be its guardian and attend twice weekly in the temple,
that all might see how the genius of a great artist is able to make a
thing of immortal beauty from a coarse original of flesh and blood. Oh,
Miriam, I have no patience to write of this folly, yet the end of it
is, that except at the cost of my fortune and the risk of my life, it
is impossible for me to leave Rome. Twice every week, or by special
favour, once only, must I attend in that accursed temple where my own
likeness stands upon a pedestal of marble, and before it a marble
altar, on which are cut the words: ‘Sacrifice, O passer-by, to the
spirit of the departed genius who wrought this divine work.’
“Yes, there I sit, I who am a soldier, while fools come in and gaze
first at the marble and then at me, saying things for which often I
long to kill them, and casting grains of incense into the little fire
on the altar in sacrifice to your spirit, whereby I trust it may be
benefited. Thus, Miriam, are we ruled in Rome to-day.
“Meanwhile, I am in great favour with Nero, so that men call me ‘the
Fortunate,’ and my house the ‘Fortunate House,’ a title of ill-omen.
Public-domain text, read in full here on John Shaqi.
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