For hours, every night during the week, I watched the house to discover the room occupied by Estelle. On Sunday I went in the daytime. From the window of a room in the uppermost story a little cherry-colored scarf was flaunting in the breeze. I at once recognized its meaning. Some negroes were near by under a tree. I approached, and asked an ancient black fellow, who was playing on an old cracked banjo, what he would take for the instrument. “Look yere, Paddy,” said he, “if yer tink to fool dis chile, yer’ll fine it airn’t to be did. So wood up, and put off ter wunst, or yer’ll kotch it, shoo-ah.” “But, Daddy, I’m in right earnest,” replied I. “If you’ll sell that banjo at any price within reason, I’ll buy it.” “It’ll take a heap more’n you kn raise ter buy dis yere banjo; so, Paddy, make tracks, and jes’ you mine how yer guv dis yere ole nigger any more ob yer sarss.” “I’ll pay you two dollars for that banjo, Daddy. Will you take it?” said I, holding out the silver. The old fellow looked at me incredulously; then seized the silver and thrust the banjo into my hand, uttering at the same time such an expressive “Wheugh!” as only a negro can. Then, unable to restrain himself, he broke forth: “Yah, yah, yah! Paddy’s got a bargain dis time, shoo-ah. Yah, yah, yah! Look yere, Paddy. Dat am de most sooperfinest banjo in dese parts; can’t fine de match ob it in all Noo Orleenz. Jes’ you hole on ter dem air strings, so dey won’t break in two places ter wonst, and den fire away, and yer’ll ’stonish de natives, shoo-ah. Yah, yah, yah! Takes dis ole nigg to sell a banjo. Yah! yah!” Every man who achieves success finds his penalty in a train of parasites; and Daddy’s case was not exceptional. As he started in a bee line for his cabin, to boast of his acuteness in trade to an admiring circle, he was followed by his whole gang of witnesses. All this time I could see Ratcliff with a party of gentlemen on his piazza. They were smoking cigars; and, judging from the noise they made, had been dining and drinking. I slipped away with the banjo under my arm. That night I returned and played the air of “Pestal” as near to the house as I deemed it prudent to venture. I would play a minute, and then pause. I had not done this three times, when I heard Estelle’s voice from her chamber, humming these words in low but audible tones: “Hark! methinks I hear celestial voices sing, Soon thou shalt be free, child of misery,— Rest and perfect joy in heaven are waiting thee; Spirit, plume thy wings and flee!” I struck a few notes, by way of acknowledgment, and left.