The appearance of the singer is mournful in the extreme. Her eyes are
red with tears, and her face is convulsed with grief. She tears her
hair violently, stoops down over the body, kisses it, calls it by
name, and sways from side to side, all the time shrieking at the top
of her voice. Other mourners arrive, all in black. On the threshold
of the chamber they stop, raise their hands towards the heavens, and
cry three times with all their might the name of the dead. Then they
go forward, bathed in tears. When they reach the bed, they stoop to
kiss the body and the relatives, and do their best in broken tones to
mutter words of sympathy and consolation. They take their places in the
circle of figures upon the floor, and the penetrating shrieks and cries
are heard once more. All this time the _voceratrice_ is chanting the
praises of the dead. When she is exhausted, she sinks upon a chair, and
calls one of the mourners by name to take her place and continue the
lamentations. So it goes on for hours, one after the other chanting the
songs of misery and woe.
[Illustration: ROADSIDE CROSS.]
People passing by the house hear, but give little heed to all this
clamour. They are used to it. Barry says: “One fine day when I was
strolling about, and nearing a place where the washerwomen wash, I
heard a succession of piercing shrieks, and, turning my steps in
the direction of the sounds, perceived the clothes and figure of a
female rolling about in the dust of the road. The said female, who was
respectably dressed, and who seemed to be a girl of about sixteen or
seventeen, would from time to time rise from the ground, walk a few
steps in the direction of the town, and then again throw herself down,
casting handfuls of dirt over her head, tearing out her hair, which was
perfectly dishevelled, and frantically screaming all the while, though
none of the washerwomen took the least notice, ‘My sister is dead! My
sister is dead!’”
It can easily be imagined that when a man has been assassinated the
wailing and the chanting are more violent than usual. In 1896 a
celebrated bandit was killed. In the night, his wife, his sister, and
his cousins went to the village where his body was publicly exposed.
They howled like tigresses in the silence of the night, and their cries
were so piercing and so full of sorrow that all the people of the town
were awakened in great fright, and shivered with terror.
Public-domain text, read in full here on John Shaqi.
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