Peeps at Many Lands: EgyptKelly, R. Talbot (Robert Talbot)
History
Peeps at Many Lands: Egypt
Kelly, R. Talbot (Robert Talbot)
Egypt -- Description and travel
Having described the exterior of the native house, it will interest
you to know what it is like inside. Entering from the street, one
usually has to descend one or more steps to the entrance hall or
passage, which, in the case of the older houses, is invariably built
with at least one turning, so that no one from the street could see
into the interior court or garden should the door be open, for privacy
was always jealously guarded by the Mohammedans. On one side is a
raised stone platform, seat for the "boab" or door-keeper, and other
servants of the house. Passing through this passage, we reach the
courtyard, which is often very large and open to the sky, and into
which most of the windows of the house open. On one side is a large
recess or bay raised slightly above the pavement of the court, and
furnished with benches of carved wood. The beams of the ceiling and
handsome cornice are richly ornamented with carving and illumination,
and the heavy beam which spans the entrance is supported by a pillar
of elegant shape and proportion. Here, or in the "mandara"[3] inside
the house, the Arab host receives his male guests. On the most shady
side of the court are placed the "zīrs," while several doors lead
to the harīm, as the ladies' quarters are called, and the various
offices and reception-rooms of the house. These doors are always
panelled in elaborate geometrical designs, and the principal one,
which is reached by a short flight of stone steps, is set in a lofty
recess, the trefoil head of which is richly carved. This gives access
to the reception-room on the first floor. One side is entirely open to
the air, and through three archways connected by a low balustrade of
perforated stonework overlooks the court. The floor is paved in tiles
or marble of various colours, usually in some large design, in the
centre of which is a shallow basin in which a fountain plays. Round
the three walls is a raised daīs called "lewan," covered with rugs
or mattresses, on which the guests recline. Little recesses in the
walls, which in the homes of the wealthy are elaborately decorated
with mosaic or tile work, contain the water jars, and the "tisht wa
abrīk," or water-jug and basin, used for the ceremonial washing of
hands before meat. The walls are usually plain, and are only broken by
the "dulab," or wall cupboard, in which pipes and other articles are
kept. The ceiling is heavily beamed and illuminated, or covered with
appliqué work in some rich design, the spaces variously coloured or
picked out in gold.
[Footnote 3: Guest chamber.]
Public-domain text, read in full here on John Shaqi.
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