Peeps at Many Lands: EgyptKelly, R. Talbot (Robert Talbot)
History
Peeps at Many Lands: Egypt
Kelly, R. Talbot (Robert Talbot)
Egypt -- Description and travel
Egypt is so old that even the Roman times appear new, and one is
tempted to regard these glorious buildings of the Mohammedan era as
only of yesterday. Yet many of the mosques which people visit and
admire are older than any church or cathedral in England. We all think
of Lincoln Cathedral or Westminster Abbey as being very venerable
buildings, and so they are; but long before they were built the
architecture of the Mohammedans in Egypt had developed into a perfect
style, and produced many of the beautiful mosques in which the Cairene
prays to-day.
As a rule the mosque was also the tomb of its founder, and the dome
was designed as a canopy over his burial-place, so that when a mosque
is _domed_ we know it to be the mausoleum of some great man, while the
beautiful minaret or tower is common to all mosques, whether
tomb-mosque or not.
One of the most striking features of a mosque is the doorway, which is
placed in a deep arched recess, very lofty and highly ornamented. A
flight of stone steps lead from the street to the door, which is often
of hammered bronze and green with age, and from a beam which spans the
recess hang curious little lamps, which are lit on fete days.
At the top of the steps is a low railing or barrier which no one may
cross _shod_, for beyond this is holy ground, where, as in the old
days of Scripture, every one must "put off his shoes from off his
feet."
The interior of the mosque is often very rich and solemn. It is
usually built in the form of a square courtyard, open to the sky, in
which is the "hanafieh," or tank, where "the faithful" wash before
prayers. The court is surrounded by cloisters supported by innumerable
pillars, or else lofty horseshoe arches lead into deep bays or
recesses, the eastern one of which, called the "kibleh," is the
holiest, and corresponds to our chancel, and in the centre of the wall
is the "mirhab," or niche, which is in the direction of Mecca, and the
point towards which the Moslem prays.
Marble pavements, beautiful inlay of ivory and wood, stained-glass
windows, and elaborately decorated ceilings and domes, beautify the
interior, and go to form a rich but subdued coloured scheme, solemn
and restful, and of which perhaps my picture will give you some idea.
Attached to most mosques is a sebīl, also beautiful in design. The
lower story has a fountain for the use of wayfarers; above, in a
bright room open to the air, is a little school, where the boys and
girls of the quarter learn to recite sundry passages from the Koran,
and which until recently was practically all the education they
received.
Public-domain text, read in full here on John Shaqi.
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