One of them walked boldly forward shouting, hooting, whistling, and
throwing his arms about to attract the animal’s attention, and,
finally, leaning down with his hands on his knees, stared him straight
in the face. A furious charge followed, and quick as lightning the man
leapt upwards right between the lowered horns, which he grasped firmly
with both hands, resisting every effort made to toss him. Loud was the
applause as the maddened beast tore round the ring with his enemy borne
aloft and unhurt.
His companions now rushed forward to rescue him. With foolhardy daring
they seized the bull by the tail, the horns, the legs; pushed against
his sides, and so bewildered and overpowered him, that the man was able
to jump down in safety from his dangerous position.
The performance was divided into two parts, and there were ten bulls
in all. Several times the whole audience went, what we placid English
people would call quite “off their heads” with enthusiasm over some
special act of skill or daring, and on one occasion, not content with
shouting, stamping, and clapping, they flung gloves and handkerchiefs,
flowers and cigars into the ring at the hero’s feet.
Pedro joined in the applause, feeling quite hurt at not being allowed
to throw something himself, not even his mother’s fan, which he wanted
to do very badly indeed. He was determined that when he grew up, he,
too, would be a handsome _cavalheiro_ on a beautiful prancing horse,
and would receive the plaudits of the multitude with becoming grace. In
this happy frame of mind let us say “Good-bye” to him, and
to Portugal.
BILLING AND SONS. LTD., PRINTERS, GUILDFORD
End of Project Gutenberg's Peeps at Many Lands: Portugal, by Agnes M. Goodall
Public-domain text, read in full here on John Shaqi.
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