We can picture the scene. The great explorer walking slowly down the
stone steps to the water’s edge, and stepping into the barge which
was to take him to the ships lying farther out in the stream; the
brightly dressed crowd, which had assembled to see him off; and the
hero himself, grave, yet full of hope, as he took his last farewell
of his native land before sailing away down the river with his little
squadron.
They were considered very fine ships in those days, but compared to the
great vessels we are accustomed to now they were really quite small,
and only 160 men were required to man all four. For months they battled
against adverse winds, which much delayed them, and then encountered
one frightful storm after another, till the superstitious crew, feeling
that all the powers of evil were being let loose against them, and
terrified at the idea of going on into the great unknown, mutinied, and
tried to force their leader to turn round and go back to Portugal. But
he was made of sterner stuff, and that which he had set out to do he
meant to accomplish. After doubling the Cape, he sailed on up the East
Coast of Africa, and then across the Indian Ocean, and at last, after
a voyage of nearly a year’s duration, he reached India. The result
of this expedition was that Portugal acquired many settlements and
colonies both in India and Africa, and Vasco da Gama had great honours
conferred upon him.
Many years later, on another voyage, he died at Cochin, far away from
home, but his body was brought back to Portugal, and now lies in the
beautiful church of Belem, near the old tower from which he had sailed
away on that great voyage of discovery, which, above all others, was to
make his name famous, and to alter the whole conditions of commerce
with the East. It is a fitting place for him to rest in, for it was
built by King Emanuel in fulfilment of a vow he had made to erect a
church and convent to the Blessed Virgin on the spot where the famous
navigator should land if his voyage proved a successful one, and it is
one of the most beautiful buildings in the whole country.
It is built in a style peculiar to Portugal, called “Emmanuelan,” a
kind of Gothic architecture, very elaborately carved with figures,
flowers, and foliage, knots, festooned cables, and endless other
devices. Often this is overdone, and many Portuguese buildings are,
for this reason, lacking in the simple grandeur of some of our own
cathedrals. But at Belem this is not the case, for in its own way it
is very beautiful. Coming into the cool semi-darkness from the hot,
glaring sunshine outside, you seem at first only to realize that it is
high and vast, a place in which to speak in whispers, a sanctuary to
worship in, with wonderful carved white pillars disappearing into the
mysterious gloom of the vaulted roof.
Public-domain text, read in full here on John Shaqi.
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