Actresses -- Fiction; Biographical fiction; Great Britain -- History -- 18th century -- Fiction; Woffington, Margaret, -1760 -- Fiction
That night he avoided the green-room, though he could not forego the
play; but the next night he determined to stay at home altogether.
Accordingly, at five o'clock, the astounded box-keeper wore a visage of
dismay--there was no shilling for him! and Mr. Vane's nightly shilling
had assumed the sanctity of salary in his mind.
Mr. Vane strolled disconsolate; he strolled by the Thames, he strolled
up and down the Strand; and, finally, having often admired the wisdom
of moths in their gradual approach to what is not good for them, he
strolled into the green-room, Covent Garden, and sat down. When there
he did not feel happy. Besides, she had always been cold to him, and had
given no sign of desiring his acquaintance, still less of recognition.
Mr. Vane had often seen a weathercock at work, and he had heard a woman
compared to it; but he had never realized the simplicity, beauty and
justice of the simile. He was therefore surprised, as well as thrilled,
when Mrs. Woffington, so cool, ceremonious and distant hitherto, walked
up to him in the green-room with a face quite wreathed in smiles, and,
without preliminary, thanked him for all the beautiful flowers he had
sent her.
“What, Mrs. Woffington--what, you recognize me?”
“Of course, and have been foolish enough to feel quite supported by the
thought I had at least one friend in the house. But,” said she, looking
down, “now you must not be angry; here are some stones that have fallen
somehow among the flowers. I am going to give you them back, because I
value flowers, so I cannot have them mixed with anything else; but don't
ask me for a flower back,” added she, seeing the color mount on his
face, “for I would not give one of them to you, or anybody.”
Imagine the effect of this on a romantic disposition like Mr. Vane's.
He told her how glad he was that she could distinguish his features amid
the crowd of her admirers; he confessed he had been mortified when he
found himself, as he thought, entirely a stranger to her.
She interrupted him.
“Do you know your friend Sir Charles Pomander? No! I am almost sure you
do; well, he is a man I do not like. He is deceitful, besides he is a
wicked man. There, to be plain with you, he was watching me all that
night, the first time you came here, and, because I saw he was watching
me I would not know who you were, nor anything about you.”
“But you looked as if you had never seen me before.”
“Of course I did, when I had made up my mind to,” said the actress,
naively.
“Sir Charles has left London for a fortnight, so, if he is the only
obstacle, I hope you will know me every night.”
“Why, you sent me no flowers yesterday or to-day.”
“But I will to-morrow.”
“Then I am sure I shall know your face again; good-by. Won't you see me
in the last act, and tell me how ill I do it?”
“Oh, yes!” and he hurried to his box, and so the actress secured one
pair of hands for her last act.
Public-domain text, read in full here on John Shaqi.
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