Philadelphia (Pa.) -- History -- Revolution, 1775-1783 -- Juvenile fiction
XVII. A GLIMPSE OF HOME 244
XVIII. HEROD OUT HERODED 256
XIX. THE TURN OF THE WHEEL 272
XX. A SLIGHT EMPHASIS OF "THAT" 285
XXI. CHOSEN BY LOT 303
XXII. WHAT CAN BE DONE? 318
XXIII. A LITTLE HUMOR DESPITE A GRIM SITUATION 334
XXIV. "THEE MAY TELL HIM AT THE LAST" 348
XXV. AT HEADQUARTERS 363
XXVI. THE ADVENTURE OF THE GLEN 376
XXVII. THE SAFEGUARD OF HIS HONOR 392
XXVIII. "HOW COULD SHE KNOW?" 407
XXIX. IN THE SHADOW OF DEATH 424
XXX. AND THEN THE END 437
Illustrations
PAGE
"WHY, IT'S FATHER!" _Frontispiece_
"CLOSE THE DOOR" 47
THE TWO GIRLS SET FORTH 97
A SHOWER OF BULLETS FELL ABOUT THE SLEIGH 138
A CRY OF ANGUISH WENT UP 221
"WHERE IS THEE GOING?" 268
"I KNEEL TO YOU, SIR" 373
Peggy Owen and Liberty
CHAPTER I
A SMALL DINNER BECOMES A PARTY
"At Delaware's broad stream, the view begin
Where jutting wharfs, food-freighted boats take in;
Then, with the advancing sun direct your eye
Wide opes the street with firm brick buildings high;
Step, gently rising, over the pebbly way,
And see the shops their tempting wares display."
--_"Description of Philadelphia," Breitnal, 1729._
It was the first of March, 1782, and over the city of Philadelphia a
severe storm was raging. A stiff wind, that lashed the black waters of
the Delaware into sullen fury and sent the snow whirling and eddying
before it, blew savagely from the northeast. The snow, which had begun
falling the day before, had continued all night with such rigorous,
relentless persistence that by the noon hour the whole city was
sheeted with a soft white blanket that spread abroad a solemn
stillness. The rolling wheels of the few vehicles in the streets were
noiseless, and the sharp ring and clatter of horses' hoofs became a
dull muffled tramp. High up overhead the snow settled on the church
spires, clothing them in a garb of pure cold white, and drifted among
the niches of the State House Tower, until the face of the great clock
was hidden, and could scarce be told for what it was.
Public-domain text, read in full here on John Shaqi.
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