Mangez-vous bien, Monsieur? Oui, et bois encore mieux.--Mons. de Porceaugnac. My pamphlet took prodigiously. The authorship was attributed to the most talented member of the Opposition; and though there were many errors in style, and (I now think) many sophisms in the reasoning, yet it carried the end proposed by all ambition of whatever species--and imposed upon the taste of the public. Sometime afterwards, I was going down the stairs at Almack’s, when I heard an altercation, high and grave, at the door of reception. To my surprise, I found Lord Guloseton and a very young man in great wrath; the latter had never been to Almack’s before, and had forgotten his ticket. Guloseton, who belonged to a very different set to that of the Almackians, insisted that his word was enough to bear his juvenile companion through. The ticket inspector was irate and obdurate, and having seldom or ever seen Lord Guloseton himself, paid very little respect to his authority. As I was wrapping myself in my cloak, Guloseton turned to me, for passion makes men open their hearts: too eager for an opportunity of acquiring the epicure’s acquaintance, I offered to get his friend admittance in an instant; the offer was delightedly accepted, and I soon procured a small piece of pencilled paper from Lady--, which effectually silenced the Charon, and opened the Stygian via to the Elysium beyond. Guloseton overwhelmed me with his thanks. I remounted the stairs with him--took every opportunity of ingratiating myself--received an invitation to dinner on the following day, and left Willis’s transported at the goodness of my fortune. At the hour of eight on the ensuing evening, I had just made my entrance into Lord Guloseton’s drawing-room. It was a small apartment furnished with great luxury and some taste. A Venus of Titian’s was placed over the chimney-piece, in all the gorgeous voluptuousness of her unveiled beauty--the pouting lip, not silent though shut--the eloquent lid drooping over the eye, whose reveille you could so easily imagine--the arms--the limbs--the attitude, so composed, yet so redolent of life--all seemed to indicate that sleep was not forgetfulness, and that the dreams of the goddess were not wholly inharmonious with the waking realities in which it was her gentle prerogative to indulge. On either side, was a picture of the delicate and golden hues of Claude; these were the only landscapes in the room; the remaining pictures were more suitable to the Venus of the luxurious Italian. Here was one of the beauties of Sir Peter Lely; there was an admirable copy of the Hero and Leander. On the table lay the Basia of Johannes Secundus, and a few French works on Gastronomy.