Pelham — Volume 05Lytton, Edward Bulwer Lytton, Baron
History
Pelham — Volume 05
Lytton, Edward Bulwer Lytton, Baron
Adventure stories; English fiction -- 19th century; Great Britain -- History -- 19th century -- Fiction
This eBook was produced by David Widger
VOLUME V.
CHAPTER LVIII.
Mangez-vous bien, Monsieur?
Oui, et bois encore mieux.
--Mons. de Porceaugnac.
My pamphlet took prodigiously. The authorship was attributed to the most
talented member of the Opposition; and though there were many errors in
style, and (I now think) many sophisms in the reasoning, yet it carried
the end proposed by all ambition of whatever species--and imposed upon
the taste of the public.
Sometime afterwards, I was going down the stairs at Almack's, when I
heard an altercation, high and grave, at the door of reception. To my
surprise, I found Lord Guloseton and a very young man in great wrath; the
latter had never been to Almack's before, and had forgotten his ticket.
Guloseton, who belonged to a very different set to that of the
Almackians, insisted that his word was enough to bear his juvenile
companion through. The ticket inspector was irate and obdurate, and
having seldom or ever seen Lord Guloseton himself, paid very little
respect to his authority.
As I was wrapping myself in my cloak, Guloseton turned to me, for passion
makes men open their hearts: too eager for an opportunity of acquiring
the epicure's acquaintance, I offered to get his friend admittance in an
instant; the offer was delightedly accepted, and I soon procured a small
piece of pencilled paper from Lady--, which effectually silenced the
Charon, and opened the Stygian via to the Elysium beyond.
Guloseton overwhelmed me with his thanks. I remounted the stairs with
him--took every opportunity of ingratiating myself--received an
invitation to dinner on the following day, and left Willis's transported
at the goodness of my fortune.
At the hour of eight on the ensuing evening, I had just made my entrance
into Lord Guloseton's drawing-room. It was a small apartment furnished
with great luxury and some taste. A Venus of Titian's was placed over the
chimney-piece, in all the gorgeous voluptuousness of her unveiled beauty-
-the pouting lip, not silent though shut--the eloquent lid drooping over
the eye, whose reveille you could so easily imagine--the arms--the limbs-
-the attitude, so composed, yet so redolent of life--all seemed to
indicate that sleep was not forgetfulness, and that the dreams of the
goddess were not wholly inharmonious with the waking realities in which
it was her gentle prerogative to indulge. On either side, was a picture
of the delicate and golden hues of Claude; these were the only landscapes
in the room; the remaining pictures were more suitable to the Venus of
the luxurious Italian. Here was one of the beauties of Sir Peter Lely;
there was an admirable copy of the Hero and Leander. On the table lay the
Basia of Johannes Secundus, and a few French works on Gastronomy.
Public-domain text, read in full here on John Shaqi.
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