"I sha'n't look so terrible old side of him when I go out bride," she
reflected, happily, smiling fondly at herself. All the way to meeting
that Sunday morning she saw her face as she had seen it in the glass,
and it was as if she walked with something finer than herself.
Richard Alger sat with the choir in a pew beside the pulpit, at right
angles with the others. He had a fine tenor voice, and had sung in
the choir ever since he was a boy. When Sylvia sat down in her place,
which was in full range of his eyes, he glanced at her without
turning his head; he meant to look away again directly, so as not to
be observed, but her face held him. A color slowly flamed out on his
pale brown cheeks; his eyes became intense and abstracted. A soprano
singer nudged the girl at her side; they both glanced at him and
tittered, but he did not notice it.
Sylvia knew that he was looking at her, but she never looked at him.
She sat soberly waving a little brown fan before her face; the light
curls stirred softly. She wondered what he thought of them; if he
considered them too young for her, and silly; but he did not see them
at all. He had no eye for details. And neither did she even hear his
fine tenor, still sweet and powerful, leading all the other male
voices when the choir stood up to sing. She thought only of Richard
himself.
After meeting, when she went down the aisle, several women had spoken
to her, inquired concerning her health, and told her, with wondering
eyes, that she looked well. Richard was far behind her, but she did
not look around. They very seldom accosted each other, unless it was
unavoidable, in any public place. Still, Sylvia, going out with
gentle flounces of her green shot silk, knew well that Richard's eyes
followed her, and his thought was close at her side.
After she got home from meeting that Sunday, Sylvia Crane did not
know how to pass the time until the evening. She could not keep
herself calm and composed as was her wont on the Sabbath day. She
changed her silk for a common gown; she tried to sit down and read
the Bible quietly and with understanding, but she could not. She
turned to Canticles, and read a page or two. She had always believed
loyally and devoutly in the application to Christ and the Church; but
suddenly now, as she read, the restrained decorously chanting New
England love-song in her maiden heart had leaped into the fervid
measures of the oriental King. She shut the Bible with a clap. "I
ain't giving the right meaning to it," she said, sternly, aloud.
Public-domain text, read in full here on John Shaqi.
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