Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2) — John Shaqi
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
Dr. Burney’s attainments, the suavity of his temper, and the gentle
simplicity of his manners, had obtained for him ready admission to
the first literary circles.... It would be tedious to recount the
names of all the men of letters and artists whom Frances Burney had an
opportunity of seeing and hearing. This was not all. The distinction
which Dr. Burney had acquired as a musician, and as the historian of
music, attracted to his house the most eminent musical performers of
that age. It was thus in his power to give, with scarcely any expense,
concerts equal to those of the aristocracy. On such occasions the quiet
street in which he lived was blocked up by coroneted chariots, and his
little drawing-room was crowded with peers, peeresses, ministers, and
ambassadors.
With the literary and fashionable society which occasionally met under
Dr. Burney’s roof, Frances can scarcely be said to have mingled. She
was not a musician, and could therefore bear no part in the concerts.
She was shy almost to awkwardness, and scarcely ever joined in the
conversation. The slightest remark from a stranger disconcerted her;
and even the old friends of her father who tried to draw her out could
seldom extract more than a Yes or a No. Her figure was small, her face
not distinguished by beauty. She was therefore suffered to withdraw
quietly to the background, and, unobserved herself, to observe all that
passed.... Thus, while still a girl, she had laid up such a store of
materials for fiction as few of those who mix much in the world are
able to accumulate during a long life. She had watched and listened to
people of every class, from princes and great officers of state down
to artists living in garrets, and poets familiar with subterranean
cook-shops. Hundreds of remarkable persons had passed in review before
her, English, French, German, Italian, lords and fiddlers, deans of
cathedrals, and managers of theatres.
[Sidenote: ‘Evelina.’]
The impulse which urged Frances to write became irresistible; and the
result was the history of Evelina. Then came, naturally enough, a wish,
mingled with many fears, to appear before the public.... She had not
money to bear the expense of printing. It was therefore necessary that
some book-seller should be induced to take the risk.
Public-domain text, read in full here on John Shaqi.
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