Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2) — John Shaqi
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
For a considerable time the income on which she, her husband, and her
child subsisted, did not exceed £125 a year. They were too independent
in spirit to accept assistance from friends; too upright to rely on
contingencies; and Madame D’Arblay pursued, in all the minutiæ of
domestic life, a course of self-denial such as, she wrote to her
Susanna, “would make you laugh to see, though perhaps cry to hear.”
With all this, her mind and thoughts were never shut up in her economy.
It was at this period that she originated the invitation sent by her
and M. D’Arblay to his friend the Comte de Narbonne, to make their
cottage his home; and it was also during these straitened circumstances
that she withdrew her comedy of ‘Love and Fashion’ from rehearsal,
in dutiful compliance with the wishes of her father; although the
management of Covent Garden had promised her £400 for the manuscript.
[Sidenote: Fidelity.]
Queen Charlotte’s expression, that she was “true as gold,” was
abundantly verified in her friendship.
SARAH CHAUNCEY WOOLSEY, Edr.: ‘Diary and Letters of Frances Burney,
Mme. D’Arblay.’
* * * * *
The novels give an impression of a singularly keen, clever, observant
woman, with a sense of the ridiculous too much developed to be a very
sympathetic, or even safe, friend....
She is seen to best advantage in the book where she appears as
daughter, sister, friend, servant (there is really no other word for
the position she held at court), and finally wife and mother. In the
‘Diary and Letters’ we not only learn how largely voluntary were the
restrictions she imposed upon her literary work, but how much her
private life gained in charm and usefulness by the subordination of the
author’s part; and, learning this, we forgive her the more easily for
having partially hidden the talent which, well husbanded, might have
given us more ‘Evelinas’ and ‘Cecilias.’... Delightful as ‘Evelina’ and
‘Cecilia’ are to those whose taste they suit, it is doubtful whether
we should get more enjoyment out of a dozen novels of the same quality
than we do out of these two. And ... at the present moment these two
are more than enough for most people.
MARY ELIZABETH CHRISTIE: ‘Miss Burney’s Novels.’
* * * * *
[Sidenote: Her old age.]
I attended her during the last twenty years of her long life. She
lived in almost total seclusion from all but a few members of her own
family; changed her lodgings more frequently than her dresses and
occupied herself laboriously in composing those later works which
retain so little of the charm of her earlier writings. Mr. Rogers was
the only literary man who seemed to know of her existence.
SIR HENRY HOLLAND: ‘Recollections of Past Life.’ New York: D. Appleton
& Co., 1872.
* * * * *
Public-domain text, read in full here on John Shaqi.
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