Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
Miss Evans returned to England in March, 1850, and, after visiting her
brother and sister, made her home at Rosehill with the Brays for more
than a year, with occasional visits to London. At the end of September,
1851, she accepted the position of assistant editor of The Westminster
Review, and went to board with the family of the publisher, Mr.
Chapman, in the Strand. She now became acquainted with Herbert Spencer,
George Henry Lewes, and other leading thinkers and writers. In 1854 was
published her translation of Feuerbach’s ‘Essence of Christianity,’
with her name (now written _Marian_ Evans), on the title-page; this,
Mr. Cross informs us, was the only time her real name ever appeared in
connection with her work.
In July, 1854, Marian Evans consented to become the wife of George
Henry Lewes, though a formal and legal marriage was impossible. They
at once went abroad, where they remained until March, 1855; spending
the greater part of the time at Weimar and Berlin. After their return
to England they lived for over three years in lodgings at Richmond,
both working hard, though the health of neither was good. Mrs. Lewes
contributed at this time to The Leader and The Westminster Review.
She also finished a translation of Spinoza’s ‘Ethics,’ which she had
commenced abroad.
In September, 1856, she began, as an experiment, to write fiction. In
November _The Sad Fortunes of the Reverend Amos Barton_ was forwarded
to the Blackwoods by Mr. Lewes as the work of a friend of his. It was
published in Blackwood’s Magazine early in 1857, and fifty guineas paid
for it. An arrangement was made by which “George Eliot” was to supply
further _Scenes from Clerical Life_. _Mr. Gilfil’s Love Story_ came
next, followed by _Janet’s Repentance_. In December these stories were
issued in a volume by the Blackwoods, and the author received £120 for
the first edition.
ADAM BEDE, her first novel, was published in 1859. She received £800
for the copyright during four years. The book was received with
enthusiasm. It was followed by THE MILL ON THE FLOSS (1860), SILAS
MARNER (1861), ROMOLA (1863), FELIX HOLT (1866), _The Spanish Gypsy_,
a drama (1868), MIDDLEMARCH (1871-2), _Poems_, collected “1874,” DANIEL
DERONDA (1876), and _The Impressions of Theophrastus Such_ (1879). The
short story called _The Lifted Veil_ was published in Blackwood’s,
July, 1859; _Brother Jacob_ appeared in The Cornhill Magazine, July,
1864. ROMOLA also made its appearance in The Cornhill, the publishers
paying for it the sum of £7,000. £5,000 was received from the
Blackwoods for FELIX HOLT; and the profits of MIDDLEMARCH and DANIEL
DERONDA were still greater.
Public-domain text, read in full here on John Shaqi.
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